Infinity

There is no place to start
 

     a beginning point

an igniting flame.

There is a Rorschach blot  

             a streaming dream of structure

a finite accomplishment; 

          surrounded by infinite reach. 

 If you start from this,

      then anything is possible.

My chest can suddenly burst open, 

       and twigs may grow.

Impossibility is an illusion.

              A repeated illustration

of what’s real;
  

         keeps infinity from shining forth.

 

 

 

Useless Poetry

The Gap

 

I couldn’t lie

 or distort the truth

when I tell you that seven seagulls

–   not six or eight – I counted,

    took flight in the direction of the moon

and that the water was slightly offering an insult

  with its restlessness and simple undulations

I suddenly felt as at the bottom of a gap

    a precipice that links two different lands

behind me everything that is

  before me everything that could be

I was inside the great hole that separates the two

  and it didn’t seem fair to build a bridge

sauntering from fact to possibility;

      to cross this gap

I felt

  requires the courage of a climb –

to create a new fact

     demands a start from the lowest point

to climb up again in rags

    to emerge from the deep

after the torture of darkness has engaged with us…

only then can the gap be closed!

 

 

 

Famous art at Old National Gallery in Berlin, Germany

Following are some of famous painters’ art works in the Old National Gallery (Alte Nationalgalerie) in Berlin, Germany.  The works in this museum are mostly Classical, Romantic with a tad of Impressionist and Modern Art.

National_Gallery_Berlin_Art

You will find a limited amount of paintings by Delacroix, Goya, Manet, Monet but an overabundance of German painters such as Menzel, Weitsch, Corinth, among others.

Sitting on the second floor is a copy of Rodin’s famous sculpture ‘The Thinker’.

More famous art to come in the near future, enjoy!

seated_n_ude_delacroix_berlin_09
Seated Nude, Eugène Delacroix

The_Maypole_Goya
The Maypole, Francisco José de Goya y Lucientes

adolph_Menzel_German_Painter
Bärtiger Männerkopf im Profil nach rechts, Adolph Menzel

Falke_Adolph_Menzel
Falke auf eine Taube Stoßend, Adolph Menzel

Fuß_adolph_menzel
Der Fuß des Künstlers, Adoplh Menzel

Tritons_Naiads_Max_Klinger
Tritons and Naiads, Max Klinger

Woman_rose_Hat_lovis_corinth
Woman in Rose-Trimmed Hat, Lovis Corinth

Nanna_Feuerbach
Nanna, Anselm Feuerbach

Children_afternoon_wargemont_renoir
Children’s Afternoon at Wargemont, Auguste Renoir

Chesnut_blossom_auguste_renoir
Chestnut in Blossom, Auguste Renoir

Still_Life_Flowers_Cezanne
Still Life with Flowers and Fruit, Paul Cézanne

Couleuvre_pontoise_Paul_Cezanne
Mill on the Couleuvre at Pontoise, Paul Cézanne

Still_Life_crockery_Cezanne
Still Life with Fruit and Crockery, Paul Cézanne

White_lilac_Edouard_Manet
White Lilac, Edouard Manet

Conservatory_Edouard_Manet
In the Conservatory, Eduard Manet

Vetheuil_sur_Seine_Monet
View of Vétheuil-sur-Seine, Claude Monet

Houses_Argenteuil_Claude_Monet
Houses at Argenteuil, Claude Monet

summer_claude_monet
Summer, Claude Monet

Saint_Germain_Paris_Monet
Saint-Germain-l’Auxerrois in Pairs, Claude Monet

Author_david_friedlander_Weitsch
The Author David Friedländer, Friedrich Georg Weitsch

Abbot_Jerusalem_Georg_Weitsch
The abbot Jerusalem, the Father of “Young Werther”, Friedrich Georg Weitsch

Sin_Franz_Stuck_berlin_09
Sin, Franz von Stuck

philosopher_Hegel_schlesinger
The Philosopher Georg Wilhelm Friedrich HEGEL, Jacob Schlesinger

the_thinker_penseur_Auguste_Rodin
The Thinker (copy of original in Paris), Auguste Rodin

Tahiti_Paul_Gaugin_Berlin
Tahitianische Fischerinnen, Paul Gauguin

Richard_Wagner_Lenbach_Berlin
Richard Wagner, Franz von Lenbach

More Famous Art

una cierta indestructibilidad

Es hora de buscar

 una cierta indestructibilidad

comenzar a jugar una vez más

   con un escalofrío de fantasía-

si consiguiéramos la esperanza

    de poder borrar

un poco de lo que somos.

De niño me acuerdo

     penetrar  mis propias venas

desvanecer como la bruma de una catarata blanca

  levitar sobre la miseria

de un innecesario cuerpo.

 

Ser indestructible es… volver a volar.

The Hangover

The Hangover

A short story by Pablo Saborío

 

 

 

It takes days to cure oneself of a bad hangover. Especially when you were drinking to annihilate your self. By the second day of recovery you venture to the outside crossing by crowds of strange humans, all dealing with their petty crimes against humanity. Some are sweet-voiced, others are confined to a wheelchair, further down the same street there’s someone eating out of a china-box within a photo booth. Then you sit next to a frisky little bunch in the metro, they’re sipping their beers patiently, almost indifferently, while I experience a resurgence in my desire to drink again, which I had considered dead, at least for the next two weeks. But no! They sip, yes sip and not gulp, their beer, degrading a liquid so awkwardly powerful and intense that it is capable of mounting you on heights hardly reachable by healthy means. They sip and get out on the next stop; I in the meanwhile savagely thirsty and guilty; will I obey the exhortations of this struggling body or should I return, intoxicated, to a realm of divine recklessness?

By midnight I am gulping down my fourth wine, talking, or more accurately, listening to a 50-some Swedish painter, he discusses art, mafia and Ikea. He runs a gallery, his gallery with his naïve art, and sells 80 Euro bottles of Italian wine. He treats me first to red, then white, then red wine again. But I am bored, he speaks in muffled English, he is clumsy and I still feel sick from the alcohol.

I leave the Swede and turn to dark over-crowded streets, the hours careen by me and the beers in my hand evaporate in my mouth. The punks’ dogs stare at me, but I am no threat; not to them at least. In limbo, between melancholy and ecstasy, I buy a bottle of Jägermeister, then stare up, the half-naked moon, two stars as bright as the reflection of the sun on a watery eye.

What happened then is gone, obsolete, erased from the face of the earth. I awake like a victim of an overnight Holocaust: dehydrated, poorly fed, muscles aching, dazed, tired, sick. I don’t attempt to recall the events of the night, too painful to think. I crawl to the bathroom, shirtless, with one sock, my genitals soaked in their own piss. I drink and drink water but the nausea is too deep to be quenched, so the water tawny by a mixture of gastric acids flings out as fast as it was coming in.  I dare look into the mirror and to my feigned surprise there is dried vomit on my hair. I begin to fill the bathtub with boiling water, remove my worn-out sock and sink into the swelling water. Sinking was like a freefall, falling endlessly, disintegrating, as if losing limb after limb, organ after organ, bone after bone,  until I am nothing more than a feeble heart thumping, aching, despairing — this wretched hangover, is all I am thinking of. It will be my prison, my womb of pain, for hours that seem like ongoing déjà-vu’s, but the pain, discomfort and depression are bearable only till nighttime, when a mountain of sleep comes over you but you can’t sleep out of anxiety, out of the fear that you will never wake up again. Right then you promise yourself you will never drink again, a vain promise of course, only because the venom is still in the body but without its transports and sedations; consciousness and the body are momentarily one, in the struggle to heal. Next day, or two or three, past the agony of hangovers, the venom will have a different name and will seduce consciousness to intimate with it, while the body is left alone again to filter and cleanse the body during the recurring hours the mind, enraptured, feels free and invincible, drained no longer by a venom but instead invigorated by an elixir.  

After the long half-awake sinking, throwing up seems like the only immediate relief. So I puke right in the tub, too weak to step out and dry a shaking body. With my feet I release the sock that served as a water plug. I climb over the white surface to reach for a towel, then without a moment to react I keep falling, this time to the ground. My ribs break the fall, a pain that only shyly overshadows the general evil of the hangover.

Food seems like a good idea. Even when appetite is alien to me, I swallow a banana without chewing much of it. I stare outside the window, more windows, more lives each with their subtle discomforts and agonies. I don’t feel jealous or even eager of a healthy lifestyle, the apparent serenity of dull hours seems a terror more strangely inacceptable than my current curse. Movies, dates, books and uninterrupted sleep represent louder hells than the buzzing of an irremediable headache.  

The afternoon sways back and forth like a drunken ship. I am lying down, face up, thoughtless at times and then thoughtful at others. No regrets, no abomination. Just a wait, a slow healing which seems never to come. Hollow thoughts, flashes of memories

was I robbed? The money I have left is astoundingly low, couldn’t have possibly spent that much. Was I robbed? The twinkling raptures of a foregone night, the heights and hymns of eternity, but now, my soul empty and debacle all within me. Had I been robbed in sleep, had I been punished for entering worlds not accessible to animal Man?   

The thought that a Sprite can appease my rolling nausea conjured strength in me to go outside. Big mistake. Day one of a hangover, stay home, keep low. Crossing the street, lights too sharp for eyes so weak, cars and people, children and dogs. Sundays are for those that think the whole world was made for them, they are careless hand-in-hand, while creatures like us are hidden away recovering from our rebellions. A stream of panic overcomes me, what if they hurt me, what if they attack me in my weak state. I stumble as I walk and families pull their children close. I vomit at the entrance of the small shop, but the old man is not visibly offended. He must be one of us or used to be in youth. I pay for the Sprite and tip him for the mess. I run, as fast as I can, home, sweet cave of mine.   

It is normal to feel this way, I keep repeating myself. It is normal and it will go away. The torture comes in waves, both physically and mentally. The best you can do is crumble up in fetus position and wait.  

The dread of night arrives. I could have been sleeping all this time but I refused. I wait till midnight, one, two, the eyelids are heavy from the denial of their function. There is only one last thing I must do. I must take a long crap, eject the putrid contents of my bowels. The trip to the bathroom lasts long as I was nearly defeated by sleep. Short and heavy steps, deep breaths, very slow and laborious heart beats. I squat, the intestines twist and turn and a blob of nondescript matter is sunk.  

Lighter and victorious I can return to bed. The thin sheet serves as a mother, embracing her wretched child. Thoughts are cloudy, random images are appearing, yes, sleep is finally here and tomorrow this will have become a nightmare and no more. The beauty of time! Sinking and disappearing, nearly at the entrance of the first dream, I gasp violently for air and sit up. The first attempt to sleep is never easy. Before actually falling asleep, three or four times this was repeated. Gasping for air as I was drowning in sleep that felt like a cold lake. I could have died, I think, I could have never returned.  

 

 
 
 
 
 
 
 
 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

A nameless world

 

 

At the start of a new poem

 the world is born again

as if I have never written a word about it

    and was experiencing it for the first time

these trees are not trees

   this sky is no sky

I still don’t have a name;

    I see a spark

and try to name it,

    then it’s gone

and all I have left

   is a bunch of useless words.

 

 

 

Useless Poetry

tear of nothingness

This a breeze

a puff of blur

a word too fragile

another troubling gasp

 

outside, the tender world

a tissue I would caress

but this fear of breaking

what is ready to crumble

stops me, so I climb

the tallest dumpster

and watch these children despair

 

Every man is an ant

or a walking trapezoid

I can’t keep quiet

the medicine of sound

it comes now as prophesizing twilights

 

I admit, that licking a wound

is another form of poem

and to walk is to flee a little

and to be alone is to create a river

 

I don’t write a single word to convince

         but to cry

            a tear of nothingness

a too-late warning

 

that we are slowly disappearing

and we never knew why

1

Por tercera vez

Me senté por tercera vez

donde hace mucho

consideré entender

la eternidad

escuché de nuevo

el paso del reloj

sentí adentro el pasar

el pudrir

un átomo consumiéndose

con el paso de la aguja

pero la eternidad

no la volví a encontrar –

¿estaría embriagado

cuando pensé

que la vida es simplemente el proceso

donde percibimos

las cosas que hemos de dejar atrás,

estaba ya loco cuando

dije:

sin aliento

el pulmón conoce la felicidad?

Poemas Nihilistas

From A to B…

A:  (clasping hands in triumphal display) And that’s how it will all end…

B:  (in pensive mood) All theory is interpretive. All facts are theory-laden. There is no pure objective world out there that we can measure and explain. The act of measuring itself is a creative process. We define reality as we go along. After a while, our own creations become idols, so that a law of physics is merely a cognitive habit. What is interesting to see is that every age in history has presumed possession of Absolute Truth. What will be revealing is that meta-narratives are relative to the epoch’s climate, ideals, unconscious motives, and so forth. Today’s theory will become tomorrow’s mythology.

A:  (visibly offended) My god!

B:  (smiling and sympathetic) But I’m likely to be wrong…