A weak wind
being bent as silent structure
on the margin of the hours
by the beach
a walk through the empire of rock
after death
love sits
with legs cold
and the storm of the sand
every crash
is wrath
looped in symbol
of being alone
with others
older in the corner
of mosaic
mystery is a heavy mist
pounded on our eyes
love sits
with cold legs
and the emptiness of the sand
those fingers
to carve in the skin of this earth
the folded name;
the forgotten
labyrinth of him.
I paid
and he asks
how I’ve been
he left a shapeless mass of laughter
in the air
I’ve had a hangover for days
he says: rockn’roll
yeah it hurts
and the hard Furies strangle
each idea with a whip of flame
and in that throb
one must find a quartz
of moonlight under a window
and breathe in an avalanche
and heed the noise
dripping from the tiny tick
of the heart
sharply
the eyes begin
by the sway
of a moon drawn by wings
to sleep
and here
skirting a crater
at the roof of a boundary
I am
washed by a beam of music
pocketing the fog
and perfuming the worn rags of clouds
like in fable
or inside a final
visit.
They found a bulge
between Amaliegade
and Esplanaden
and it was in the news
and the hearts
shook with dread
a long sack of skin.like flesh
growing from a thin string
into an enormous
bulk
a man stood drinking the ship
in a circle of dizziness
the lights of police
and the endless of an image
no one could understand the revolution
and beauty of the bulge
it was hauled off the street
like a rainbow
as a miracle of the flame
as heresy from our pedestrian slopes
factories puffing shades
roaring with flags and chords
of iron ringing
in the suburbs
it is pronounced that this age
will collide with the pillar
stumps of science
and melancholy is a growth
like tumor
in the heads of those
that gaze with wonder
from above.
A saint is a stain on white monotony
aloud he thinks: I
am a strange dot among the government of lines;
a mystic is a calm slip into abyss
all joking aside he says:
above the city leaps into tower;
a shaman is a subject under the tyranny of wholeness
aware of segments he asserts:
a fraction is mind lost in the order of totality;
alone in the world every man wonders:
afraid like a leaf in autumn my life
amidst the rain;
a poet is an absolute ark of air
abstruse and above all
a little puddle of reflection
at the end he writes:
a full world and its aura
asleep inside a shoebox
an allegory for barefoot monks.
Cleave to that place
arterial
the vessel no the aerial
where fading flight merges
with being and life
is no longer
an only particular
thing
but interior of great
continuity
of circulation density
dripping
in center toward
multiplicity
and radiates back
into blood
the skin, your eyes, your hands
the fur of the world
at your fingertips.
What happens at city
when blank is a building
and the corner is brutish
and the road ahead pale
like something at the end of time
see nihilism is a tentative position
an aggressive form of modesty
because below the blue sky
a head is incapable of understanding
the many things that are absurdly naked
in the world;
of all words
we select a crown
to place that holy concept
over our heads like laurel
to impress the wavering leaves of trees
see nihilism is nothing about thought
but about feeling what thought cannot attain
at the light you stop and feel the beast
the wise thunder of blood
and what happens when city
is trembling and being chased
by whiteness or a hot drunkenness
you pick a word
and make claim that it will save you
under the streetlamp
like a natural haze
at that common street
you remember like an ascetic
that this flesh will be forgotten
The lens capturing ache, a spot left to blind around nobody’s serial zipper. Afar while ignorant by her purpose a sigh rehearsed black blink the tune is closing the drumming aperture. Zoom aerially alongside sensation my mirror coldly awakening after rebellion shoots truth like arrow shorn of wings. Meanwhile a little closer my love carefully and hairy the machine makes appointment between moons and bus stops. Shift dimension because the rule has carved rust on laughter and soil drips sardines, hungry small animalcules and vulgar drunk remarks. The visitor FLASH awesome teeth while zones of legs remember the long overhaul and missionary status. Lately a fly meditates on the heavy scent of sums, mean chasms calibrating the here and now; an owl overflies the morning damned. The events captured logistically by nature’s circumference white underpants exposed within the thick fog of human greed. Sex wonderfully colored, centrally in the mind because a flower is pure in the mind better than an orgy of doubts sweating paradoxes. Buildings always poured with honey and served at midnight with a television smile. Mystically our school shrank from situation to circumstance to coincidence like fish, schools of fish diving deeper into unknown coordination with night above bowing as strange concave dark banana. The birds tiny church angels motes of dust leave individually one by one consciousness a door with the figure of a feminine sound. The animal buys a ticket to catharsis calmly the wine rhymes the trees are sharp silent sticks. The animal fenced in irony learns the catechism of turning on its own axis. The animal takes the arm of the herd expecting nothing less than the wave of feasting on echoes. The animal stores sunlight in its radio, tissues of right and wrong, the effort is its monastery. The animal against animal but bubbles merge with soap bubbles like families holding hands forever against the backdrop of mountains forever, terrible shadow-drenched mountains forever that rise toward the pinnacle and forever pierce the dead corpse of night with their tips of white melting gold, forever captured in ache.
*The above expression
remains unclear to this
date. It is unknown
whether the author
intended it to be strictly
a metaphor or to be
taken literally in its
full consequences.
It has spurred a string
of speculation and debate
dividing opinions
into warring camps.
Some claim that it
was written in a state
of utter stupor and therefore
must be regarded as an aberration
of the unconscious. Others
argue that that the author
has pierced through the veil
of language and has given
us direct access to
the core of meaning.
Leading figures in the field
of semiotics have given
popularity to the notion
that the expression transcends
the use of its symbols
and signifies nothing
in itself.
Research into his biography
has only added enigmas
to the puzzle of the author’s
mysterious expression.
Until further discoveries
are made between the logical,
historical, metaphysical
and aesthetic relations
and order of the words
employed,
little guidance
can be given to the reader
as to the ultimate significance
of the author’s seemingly
unintelligible statement.
were sitting on the ledge of a building
talking about the pursuit of happiness,
how every human action is motivated
by self-love and trying to reconcile
morality with a mechanistic view
of a universe, everywhere ruled
and determined by inflexible laws
the talk went on for some time
they would interject a few modern expressions
to avoid falling into a complete anachronistic conversation
reminiscent of the 18th century philosophes
then the one on the right said,
– What if we jump?
– there’d be a fall
– yeah, and then what?
– who knows
– do you think there’s consciousness after death?
– as much as you can find in the drunk man’s sleep
– should we jump? what stops us from finding out?
– fear, our loved ones, the desire to seek new experiences and store them in the insatiable coffins of memory. But mostly fear.
– if you could have anything in the world before you die, what would it be?
– another lifetime to figure that out
– do you often think of death?
– on rare special occasions, like funerals and that kind of thing
– do you find any consolation in the thought of death?
– yeah in the thought that death dissolves all suffering with the same intensity as life withheld happiness from the individual
– I’m going to jump
– I’ll take the stairs
He did not jump but was he really considering it? They decided to go home. As they walked together over the bridge they both noticed the sea was restless that day.
There like a bolt
like a stone amidst
a dust beyond
deep in shine
a pocket w/noon
and no shadow
a golden fury
himself mad
speaking loudly
and evening
with lawlessness
into rivulets a feather
nobody wings
possibility’s a stream
hours whirl
he types ‘whiteness
merge with tear
and this earth
trickled like spark
upon memory’
he listens
apparently
the wind has a mouth
and the same questions
about time.
Beyond Language 
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