the decline and fall of Being

being_and_nothingness

 

The self is a function of life.
Every aspect
of life as experienced
by so-called man
is within the realm
of nature, the universe,
totality. Nothing is

outside it,
nothing

belongs to something
other than itself.

Life is a manifestation (
for lack of a better
word
) of what nature
is doing.

My ego
is not independent
to the field
of nature, it does not

confront or exchange

with any          external.

All my memories, actions,
thoughts, insights,
responsibilities, etcetera,

do not belong to

me.

They are all part
of that function
that life
is portraying
through a living organism.
The experience
of being-hood is a sort of modulation of life itself.

There is no center or
self that engages with life.

Rather life is engaged with nature.
In other words,
I’ve never experienced
anything.

One could say,
I am the illusion
of being a drop of water
inside a totality
that is itself all water.

The IT has been doing ITSELF.

Nothing belongs to me per se.

Even this instant,
these words, these attempts
to define what’s happening
are not me nor belonging to me,
but aspects of what life
or, sub specie aeternitatis,
what nature does.

Life is, a Spinozan could say,
a mode in nature. I’m inclined to say
there is no one
perceiving this, life itself
is busying itself with life-stuff,
nature-stuff, thought-stuff,
society-stuff, and so on.

There is no me
in all of this.
There is only a recurring
sensation that life – the
experiences that compose our definition of life –
belong to me.

But that sensation
is itself an impression like any other.

Can death be overcome?

Only a thought
that suggests that “I will die” exists,
but not the actual death of the self

– because there is no self.

Contemporary Poetry

the joy of Heidegger

desolation_landscape

 

Throughout itself,
ordinary nature
would no longer
be its opposite.

Truth occurs

within itself
no longer in earth

but open,
clearing, never rid of primal conflict

notice this Open

the world of paths
lighting
the self-closing
center

at bottom
intended to denote
that the essential
has rid itself
of everything
concealed.

 

(All the words, including minor phrases were extracted from page 53 of Heidegger’s essay The Origin of the Work of Art, found in the book Poetry, Language, Thought as translated by Albert Hofstadter, printed by Harper Perennial Modern Classics)

Contemporary Poetry

contra la luz

contra_la_luz

Ya no visitaré a la luz
con débil cascara de astro
su sucia esencia de curva

es inacabable el modo de andar
y son ancianas fosas de oscuro
cada puñado de vivir se siembra
como agua en las noches enteras

ya no más
lucero que es punta arrastrada
son frescos los troncos de negro
y mi mirada los junta en cruz

quítenme el ritmo de vela
y déjenme la congoja vieja
como un pliegue de eternidad

ya no más
dura energía voluta
que son crudos garabatos
los de la sombra

y el arte abstracto de morir
no lleva rayos claros
en las arrugas de mi piel.

Poesía Contemporánea

against the poets

Image

It is a sad thing to be a poet.
Pick out a few strands of impermanence.
Sit and write in fever and sweat
on how the ash is sweet and immense.

But it is in vain
I tell you.
Nothing will remain
beyond the faded terrain.

For art’s sake. Can there be anything more pathetic?
All we do is lace pigment on fragments.
All this perversion of language, an erratic
falsification of meanings and judgments.

I am being honest finally.
I tell you.
Don’t even care how this ends really
because I’ve started to drink myself silly.

oblivion obliged

When Midas asked Silenus what fate is best for a man, Silenus answered: “Pitiful race of a day, children of accidents and sorrow, why do you force me to say what were better left unheard! The best of all is unobtainable—not to be born, to be nothing. The second best is to die early.”
– Will Durant (The Story of Philosophy)

oblivion_obliged

Whose torn bolt
was released
on the curvature of time,
who left this mass
of obscurity as a stone
in the sky,

have I begun
to carve enough
misery

from this chunk of night,
or designed
a chorus of smoke.

Its slanting invasion
made us embrace
like twins of twilight
and the irony

of it all
we are abundance
in its thirst,
dancing like swirls
of sweetness in its mouth.

To be happy mud
smeared
on your breasts, I said.

But I could hear
you muttering
the wisdom of Silenus.

Unable to rephrase
the meaning of silence

we laid still
like two
immobile spots
of darkness.

 

 

Contemporary Poetry

A view of Thorvaldsen Museum (Copenhagen, Denmark)

Portrait_Bertel_Thorvaldsen_Painting

The renowned Danish neo-classicist sculptor Bertel Thorvaldsen [1770 – 1844] (above) has a museum dedicated to his art in Copenhagen, Denmark. I’ve taken some pictures of his most representative works exhibited there. Enjoy!

Thorvaldsen Museum Copenhagen Denmark

Gutenberg (plaster model)

Gutenberg (plaster model)

Maximilian I (plaster model)

Maximilian I (plaster model)

Pius VII (plaster model)

Pius VII (plaster model)

Schiller (plaster model)

Schiller (plaster model)

Copernicus (plaster model)

Copernicus (plaster model)

Jozef Poniatowski (Plaster Model)

Jozef Poniatowski (Plaster Model)

Byron (Plaster model)

Byron (Plaster model)

Ganymede and Zeus as Eagle

Ganymede and Zeus as Eagle

Cupid

Cupid

Adonis

Adonis

The Graces

The Graces

Frederick VI of Denmark

Frederick VI of Denmark

Shepherd Boy

Shepherd Boy

Bertel Thorvaldsen

Bertel Thorvaldsen

Maria Feodorovna

Maria Feodorovna

Mercury

Mercury

Vulcan

Vulcan

Goddess of Hope

Goddess of Hope

Mars and Cupid

Mars and Cupid

Hebe

Hebe

Venus with Apple

Venus with Apple

Cupid and the Graces

Cupid and the Graces

Cupid and Psyche

Cupid and Psyche

Ganymede

Ganymede

Cupid

Cupid

Young girl dancing

Young girl dancing

Psyche

Psyche

Thorvaldsen_Museum_Copenhagen

NIHILISTICPOETRY BLOG

to be absurd

daylight_squirm

To be absurd from feeling to toe,
I’d punch the snow to disfigure
the torso of beauty
to join the mad soliloquists
the drunks and hopeless angels
with whales swimming in
their eyes of quivers.
Rapidly the curves of snowfall
impact the distant slums and they are
carrying pain too beautiful that we
stare and suffer. I cannot add a because,
a therefore, a necessity.
The event has sweetness
that only forgetfulness with relish.
I am too vague a vacuity too vain a villain,
being an absurd contemplator
the suspense of my erosion
is my only occupation.

and yeah, the feat of beauty
on daylight’s squirm.

 

Contemporary Poetry