A noun is a thing that serves as a vehicle for the quality of its adjective

2013_poem

In the sky
whiteness
travels like a passenger
inside the cloud
I have seen it journey
across the blue
until it reaches the golden
arc of horizon
where it suffers
through a whim of fate
a mutation
from pure whiteness
to the brightness
of the gold;
but abruptly
as a bullet
entering a vein of blood
the vehicle cloud
turns red
in the throb or throe of twilight
and whiteness dies like a sigh
in the expanding gloom
of purple tinge.

 

 

Contemporary Poetry

Tautology

For poets make sad mechanics with their lyric lore
– Byron

tautology_lyric_poetry_byron

A rock is heavy
hard supposedly static
with jagged edges
and deaf surfaces
like a stone or a pebble
in fact they are the same thing

language is light
flimsy supposedly manifold
with soft melting angles
and loud exteriors
like a concept or a word
in fact they are the same thing

poetry is buoyant
insubstantial supposedly spontaneous
with brilliant measures
and reiterative layers
like a sadness or a depth
in fact they are the same thing

 

 

 

21st century Poetry

thin vicissitude

absurd_poetry_blog

I bumped into the city, the bastard.
Looking around the snow – remembering
my tongue melting as ice in Lascaux and fossilized
toothpicks near the ancient campfire.
I was in Iceland and got drunk,
looking at the cloudless that would die
before the sky reached Sweden.
I have been on the toilet all day,
working, theorizing, and it came
out looking like Nobel’s head,
one day
I will sit beneath a giant tree and forget
my existence as grass never did.
I see why the intellectuals
are enchanted by doom.
But why worship definition as
a totem almighty menacing godly cult.
I see why the poets cancel death
and write lyrics for the music
of meaningless wind.
I observe the visionaries
about to detonate with their unclean secret
like a grenade in their chests . But they can’t,
never finding sunshine in communication,
sadness has overwhelmed language
leaving behind a thin vicissitude
of smoke.

 

Contemporary Poetry

the end

this_is_the_end

Sorry,
I can’t tell you here
what value, how important,
where everlasting.
Haven’t found it, every bit
is rising like a moon
no matter if it’s a thing
or a thought it disappears
somewhere.
I feel human, literally
a heart pumping veins
in rings of muscle. And
also empty space between
all of you and this isolation of brain,
language, dark brown eyes,
I let you walk pass me
passersby. If I touch
you by chance by accident by love by desire
by dinnertime by church by antiquity by destiny
by skin by Friday by crying by leaving
it will be my memory moaning for
togetherness again with the ebb and flow
of zeroes echoing in the silence.
I do not claim
my isolation is unique,
my brain bottled in language
looking out into the world
through dark brown eyes.
But I cannot touch you
when you are a tricklebird
dripping from the skyline.
Sorry,
our days are numbered and
we must face the tough blue earth
as if it were the end–

 

Contemporary Poetry

the art of definition

the art of definition

There is no method for definition: to learn how to define. Definition is a consequence of imitation, its foundation so deeply grounded in our perceptual models of reality that any reform would only be an aberration of the original fortuity. We learnt to use a system of language through imitation and even the precision of mathematics remains illusory as a result of being an imposed code of rules embedded in the ambiguous amalgam of imitative language.

I would live,
dedicate my entire life
to defining a single word
properly – justly. 
That word would be:
	melancholy
I do have other candidates,
perhaps I would define another
still stranger word: mysterious.

What is mysterious?

That which cannot be grasped intellectually.
That which is still unknown, unexplained,
perhaps the truly mysterious is
that which can never be explained by thought,
that which is intrinsically unknowable. 

Here I am defining a word with other words. 
But I would not stop there. 
I would access zones of intuition,
a series of instruments predating language,
like an amulet that contains an entire cosmology
or a monolith that served as genesis to historical memory.
I would anchor my word to other unreliable words,
vague words that by their very nature would
serve as examples of the intangibility 
of my definition for mysterious.  

I would, for example, make mysterious 
synonymous with Life, Happiness, Nirvana, etc 

ect.

Contemporary Poetry

sugar of lung

suffer

I’ve translated the sugar
of lung and by mist
the meaning of language
is a family of pauses
appearances that crawl
like incense between crevices
of hard barrier,
but then there is truth
which as a fence
we jump to land
on barbarous scenes of fading,
where we hang the moon
in our hollow cavity
and there walk in thick groups
of solitary breaths,
aiming to cut the tragedy
in two great halves
with the rim of suffer.

Contemporary Poetry

language as crust

language_as_Crust

really believing
two of the greatest
musical quivers
boundlessly

I burst quite sick
into history
with how many heads
always holding symphony,
art otherwise despair

consider one literary
thing, make it your bed
and invariably perish
simultaneously with every
thing else

really believe
an absolute nature
factually accused
of producing
nothing

to be a seer
more indeed than describe
but misconstrue
into artless paralysis

walking in reality
but in truth
to bear torrential
truth

do not enter
a tree or song
but life

life, nay, breathe
into something featureless
who knows what reasons
mysterious dissolved them
as examples of this process

merely accept this object
as contour groped in darkness

possibly decades
in the making
itself a memory ago
where I promised
to write language
as crust enveloping
experience

Contemporary Poetry