I call this
my turning hour
the imperceptible motion
from a fifty-nine
to a double-zero
I live this instant
in the streets
the cold cave of Europe
here, I wander aimlessly
I wonder incessantly
my stomach is turning too
hungry and drunk
let’s rock and roll
in the zeitgeist
that no history
will ever
record.
The last remnants of this bitterly afraid body, this ambiguous mind, this capsule in which the entire universe seems to exist – and outside, beyond the surface of this inexplicable skin, a blank void, a dark emptiness, a vicious silence. What in the end is the point of this unending preoccupation to make sense of what is finally unspeakable, to exist in a vast and profound space with miraculous shapes and forms, to breathe and beat a heart relentlessly while the plot of an unwritten play unravels — before these eyes full of wonder? However vainly the hours may pass, oblivious of the impending death of my surroundings, the death that will also come to this entity that strangely calls itself “I”; vain attempts to forget the inevitable, to resist the irrevocable. Had this self been able to escape permanently from the entanglements of disaster, had this ego renounced a borrowed language and survived brutally naked without philosophy, without history, without tales, without spoken love. Somewhere within the entrails of this phantasmagorical reality lies a reflection, a foundation upon which all things past, present and future are sustained, nurtured and consumed; it is a realm powerfully un-human, destitute of qualities and because of its effortless existence it remains sovereign above all things that strive. And maybe it is a joke, to conceive or imagine some sort of reality that will remain after all of us are gone, some sort of metaphysical ground by which our passing away seems less painful, less tragic. There might not be any foundation for the fear, the awe and the effort; every act, every thought, every failure is essentially groundless, and we are and will always be an unnamable race, an indefinable being.
The fiery afternoon had transformed itself into a turbulent purple. How else could I describe it? It had no other name than Turbulent Purple. I am by blind necessity bound to call it by that denomination, I am a slave to that ambiguous name. Leaping in and out the oblivious space of mind, short and poetically vague sensations occupied most of my purposeless time. Without explanation or warning I could read in the papyrus of thoughts scriptures such as these:
Centuries of dancing shadows
Has the strong wind of fate
Extinguished Man´s recurrent dream?
Ah! From where do all these voices arise but from the nocturnal?
How senseless it is to reveal in words the impenetrable mystery of the mind, how lame an attempt to reproduce the wilderness of wonder. The afternoon had turned into a Turbulent Purple and I became sure the existence of written language had no purpose but to express the shock of our encounter with reality — it could never explain a thing. So, without regret I had survived numberless fears of imminent death so I could experience once more the unnatural beauty of nature.
Ha! So many years organizing my thoughts so that in my final despair I found every cell in my body to have a life of its own and my thoughts faithful pilgrims in the inhospitable lands of paradox. Therefore I studied my body with care as if it were an extraterrestrial lump of matter and completely gave up the hope of a systematical account of human experience. Then I focused again on the sky and the world was still a turbulent purple. It was not long after this that for the first time I started doubting of the ancient and perennial pillars of art. It seemed to me that if all things go wrong the last desperate redemption would come through art — art had a special bond with the essence of all experience, it embraces the whole multitude of feeling and all genre of action and yet it transcends them all — or so I thought.
“Life and death for art” would have been my motto two years ago. But in my rebellion against all dogma the mutiny of doubts turned against my ideals and the sky of my convictions became turbulent — perhaps purple to a spectator of my consciousness. If myths, religions, wars, slavery, races, countries, continents, suns, and galaxies all have an allotted time, art surely is as ephemeral as the rest. Alone and destitute I stood while the echo of a turbulent purple sunset reverberated in the coffins of memory. At last I got rid off the most obdurate preoccupation, second only to death — namely, life no longer lived for art, love, money, fame, joy or by instinct alone; it seems likely to be here for no reason in particular. One last thing remains certain:
A black umbrella
my sky
The moon
another street-lamp
Sleeping houses
populate my horizon
Following the curvature of a continent
the window is my pillow
My eyes
magnets attracting
the elements of the unknown.
If the clouds
scatter and break the sky asunder
into a thousand little islands,
If on top of trees
the world below would not be so strange
I would visit every cumulus bay
every rising branch…
How far must a man go
to find out what he seeks?
Beyond Language 
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