man

beyond language

Beyond Language Meditation

burnt faded fringes
encapsulating us
as an old portrait of sacrifice
who stares at us
from the other side of subjectivity
my fingers slice and rub
the plateau of your belly
but I see the Dead Sea in your eyes
I am no longer a man
you undressed every concept
shedding words like a leper
I drank your taxonomy
like a famished unabridged dictionary
you said abstraction was like a harem
of fellating paradoxes
that’ll suck me dry
I left the continent hiccupping truth
I am no longer a man
for I still love what has no name
no one can deduct
why
inside burnt faded fringes
some of us
sacrifice
the
word.

 

 

 

Modern Poetry

possessions

What do I have

What do I have
a book
and no convictions
perhaps
all I have is
this:
exiting a subway station
going up the steps
squeezed between
too many pedestrians
I hear every shoe
scrape against the cement
and stare at the spit
of punkasses
frozen at -13 Celsius
a night that howls
like a monster
but does not eat me
steps
aimless steps
driven mad
like the man
without a thought
that laughs
at the joke
of
eternity.
 

 

nihilistic poetry

the here

contemporary_poetry_of_nihilism


The drops have gathered
on a window pane
the cactus has a plethora
of thorns
we’re basked in rays
of murky light
geometry used to be here
the man
naked
used to be sitting there
I saw the fractions
together with the entireties
the floor is cold
and we’ll never get
what we want,
and he’ll walk
over his doubts
like the last train
to disappear in the fog
with the centuries beginning
to smell of poetry
in bed
with the unbearable
possibility
of another day
to descend upon
him
and smother
the fragments
of the mind.

contemporary nihilistic poetry

Turbulent Purple

 

 

The fiery afternoon had transformed itself into a turbulent purple. How else could I describe it? It had no other name than Turbulent Purple. I am by blind necessity bound to call it by that denomination, I am a slave to that ambiguous name. Leaping in and out the oblivious space of mind, short and poetically vague sensations occupied most of my purposeless time. Without explanation or warning I could read in the papyrus of thoughts scriptures such as these:

           
            Centuries of dancing shadows
            Has the strong wind of fate
            Extinguished Man´s recurrent dream?
 
Ah! From where do all these voices arise but from the nocturnal?
 
How senseless it is to reveal in words the impenetrable mystery of the mind, how lame an attempt to reproduce the wilderness of wonder. The afternoon had turned into a Turbulent Purple and I became sure the existence of written language had no purpose but to express the shock of our encounter with reality — it could never explain a thing. So, without regret I had survived numberless fears of imminent death so I could experience once more the unnatural beauty of nature.
 
Ha! So many years organizing my thoughts so that in my final despair I found every cell in my body to have a life of its own and my thoughts faithful pilgrims in the inhospitable lands of paradox. Therefore I studied my body with care as if it were an extraterrestrial lump of matter and completely gave up the hope of a systematical account of human experience. Then I focused again on the sky and the world was still a turbulent purple. It was not long after this that for the first time I started doubting of the ancient and perennial pillars of art. It seemed to me that if all things go wrong the last desperate redemption would come through art — art had a special bond with the essence of all experience, it embraces the whole multitude of feeling and all genre of action and yet it transcends them all — or so I thought.
 
“Life and death for art” would have been my motto two years ago. But in my rebellion against all dogma the mutiny of doubts turned against my ideals and the sky of my convictions became turbulent — perhaps purple to a spectator of my consciousness. If myths, religions, wars, slavery, races, countries, continents, suns, and galaxies all have an allotted time, art surely is as ephemeral as the rest. Alone and destitute I stood while the echo of a turbulent purple sunset reverberated in the coffins of memory. At last I got rid off the most obdurate preoccupation, second only to death — namely, life no longer lived for art, love, money, fame, joy or by instinct alone; it seems likely to be here for no reason in particular. One last thing remains certain:
 
               Returning from the underground
               Reflections in echoes
               From the pit of despair
               The fountain of wonder
               The irony of this paradox
               From the art of Nature
               Conceived the death of Art
               A dying fire. . .
                       Turbulent Purple
                          turbulent purple

Heavy Steps

Old and brittle man
walking alone, hands behind back
dragging his feet, stooping his head
as the town of Itacaré swam
in melodies of reggae, seasons of breeze
Poor old man, stumbling amongst thoughts
entreating pain to numb his soul
so as to never suffer harshly
from the whip of regret —
Why does sadness allow me to forgive you;
come here old man
sit by my side, listen to the stars
there are still things your pain
                     will never mar

POEM i

POEM  i

In every metamorphosis there is
a symbol of the eternal resurrection,
the thousand faces of a timeless world
                                   born forever anew
 
As we drift aimlessly within
the corridors of a flickering instant,
in the huge vaults of time immemorial
                                 Man asleep, awakens!
 
But the amnesia of the cosmos
eagerly consumes our monuments,
of a civilization new and wild
                               imprisoned on earth
 
If we escape from the shackles
of our legendary blindness,
above these clouds of galaxies,
                             darkness becomes light.