Nocturnal Studies

thebeast

Existence was always for me a dark place. It was not necessarily depressing or ominous; it was dark because it lacked explanation and purpose. But somehow, after years of purposelessness, I have begun to love life’s obscurity.

There’s something enchanting about the enigmatic — anything that conceals something deeper or unknown is generally very intriguing, like a mask or a symbol. Analysis is the ability to dive below the surface of a thing in order to grasp its inner structure. The purpose of writing is vague and uncertain. Entertainment? Transmission of knowledge? Spontaneous activity? All three are plausible but foremost, for me, writing has a symbolic function. It is the disguised voice of the raving lunatic we all carry inside. Most struggles in life are born from the dissension between our waking consciousness and the nocturnal beast that dwells in the swampy pit of our unconscious. If that treacherous monster had a voice, what would it say? It would probably roar…

If only we had the strength and perseverance to record every fleeting detail. All those frustrated desires, every old man that crossed our path, every wind that lifted a billow of dust before our eyes. What would we discover then? Do we grasp ourselves better in representations; is the mirror’s image our final wisdom?
Will the beast be tamed when he sees his own deformity?

Underground Paralysis

I might be mistaken, but I believe there is much to fear in the course of our lives. It is a fear that wine, parties and television might distract from our attention but they will never annihilate it. Most philosophies of despair tend to denounce the ABSURD as an inexorable quality of our advancing lives. It is, in fact, this irrepressible motion forward though cycles of interminable triviality that the despairing existentialist complains about, and makes a living by declaring the banality of earthly life.  It is fascinating to think that in recent times the attitude of wailing has been adopted by many clever writers, and we, as audience, enjoy reading about our impotence and frailty.
Anyway, the fear I mentioned does not arise from the intellectual awareness that the things we do in life have no permanent meaning or from the existenliast´s lack of trust in the frenetic impetus of time. It is a feeling only describable in metaphor, it is only visualized in representations of the deepest horror:
 
You are not moving
not advancing
but the color changes
grey to black
the purest black
the deepest deep
each tick of the heart
marks a step further
into a maze of incomprehensibility
like an universe empty
no stars or galaxies
only a demonic silence
a cognitive paralysis
an underground turbulence
 
You reach out for help
piercing the dark horror
trying to hold on to something
your hand blindly advances
at the end of your fingers
 a river of pain…
having crossed your multi-layered mind
and light-years of voidness:
 
two options,
if you scream you drown
asphyxiated by the thick weariness,
or
you marry silence
isolated indefinitely
in the cruel awareness
of your inexplicable
existence.

If…

If stories had some sort of reality I would narrate my dissolution amongst the heavenly bodies; if fantasies were not merely fictions I would vanish careless in the wind; if words were not all vain and empty I would tell everyone that life is a bubble of dream and we are nothing but footprints on sand.
If changing the world meant anything I would form a new republic; if truth existed I would refute the philosophers; if god existed I would be fearless to leave this world…
On my 26th birthday. January 7th 2008

City Walls

urban_hermit_poetry

I have abandoned everything
  like a monk with weary eyes
I am a hermit within the city walls
Tall towers of light are only columns of dreams
I have fled from the horizon
            to study the core
I am tired of all the signs –
  In a falling leaf
        the whole universe is summarized.
Don’t wake me up!
Let me sleep in my rich delusions
   Let me be like dust
        that never had a name
            it never spoke a word.

A line of thought

medusa

We haven’t reached the spiritual vertigo of Zarathustra, for in his abundance of knowledge became weary of too much wisdom; nor are we broken down by so much grief as Titus had to endure. We are not too small to be completely insignificant, nor great enough to awake with daily pride. Our real circumstances are somewhere in between the extremities, our toils are not fully tragic or heroic.

We battle through the repetitions of the calendar and if we strive to send out a message, a moral for our collected personal histories, what unclouded expression can give meaning to the facts of our plainer existence? What, for instance, is the final message of the universally acclaimed films of Forrest Gump or Amelie? What feature in their unwinding plots seizes the spectator’s mind-body and synchronizes its fictitious reality with our own living novels? The former film is a wonderful exposition of the Ying-Yang character of any human life, yet in the end the legendary up-and-down events of Gump’s life become simply a background for the truly memorable moments of his life as he describes them to his life-long love: gazing at the stars at night, contemplating a sunrise, running by a crystalline lake, and surveying without distinction the earth and sky. The latter film from the onset exposes a lover of life in her most basic and simple experiences: sticking a hand into a sack of beans or skipping pebbles on water.

For both films, besides the eternal search for love, these aforementioned singular and unpretentious experiences somehow seem to magically justify the turmoil of existence, our inevitable mortality and the lurking solitude that hides away in every human heart.

But while Zarathustra, Titus, Forrest and Amelie lie tranquilly behind the surface of a book’s page or the film’s screen, what is for the true mortal being the climax of his life? When do we find the ultimate recognition of our satisfaction, and if we do, are we able to leave behind forever the racing dream that we have called our daily reality? In other words, once we find a simple reason for our being, can we then allow it to return to non-being?

The search for fulfillment needs not reach the extremes of intellectual inquiry of Nietzsche’s Zarathustra or the emotional explosiveness of Shakespeare’s Titus, perhaps our day to day lifestyle will be enough if it be endowed with sufficient awareness, a recognition that behind our meals, offices hours and snoring sleep an intuitive beauty akin to what Forrest and Amelie felt in their rudimentary experiences is available to us.

After all, is not the triviality of the familiar set before the grand theater of stars and galaxies? Is it so surprising that this world as it is, is just enough, that we need seek no more, progress no further, attain nothing more…

Had today been the last day of this earth and we the living saw and participated in the last scene of this earthly play, would not every last smile turn into a divine sign, every last meal a most sacred ritual, every last conversation a most treasured bible, every last kiss a most unnatural miracle.

The potential of the ordinary is quite extraordinary once we acknowledge how rare and marvelous is our neglected existence.

Wonder Eye

Could we motion our awe
present it hourly along our way
Could we breathe in astonishment
the minutes streaming by
As the moon today is half-dipped
in the layers of blue crisp sky
We must throw away legions,
innumerable attempts,
since it is mostly rare
that we define existence
             by wonder
If we could raise our eyes
as frequently we raise our cups
the impenetrable azure
or the eternal dark
may become one day
             our source of belonging

Heavy Steps

painting_dreams_lost_man

Old and brittle man
walking alone, hands behind back
dragging his feet, stooping his head
as the town of Itacaré swam
in melodies of reggae, seasons of breeze
Poor old man, stumbling amongst thoughts
entreating pain to numb his soul
so as to never suffer harshly
from the whip of regret —
Why does sadness allow me to forgive you;
come here old man
sit by my side, listen to the stars
there are still things your pain
                     will never mar

Joy of Participation

From the dark cloud
   that was my death before my birth
From the impervious past
   that is my womb
From nothingness void
   that sprung my being
      into this magnificent universe of light
As I awake
   from the caverns of dreams
My eyes visit
   a strange changing realm
Vision has kindled
   the torch of nature´s stage
Amongst crowds, streets and trees
   silent contemplation reveals
the daily world (of chats, smiles and meals)
   as mysterious as death and the galaxies;
on this planet
   repetition has blunt the miraculous
Frightening as it is
   this irrepressible human world
never to forget
   it belongs to a greater whole
Small is our size
   but great our joy of participation
       in this universe incomprehensible

Hopeless eyes

From this region here to that other geography
From this sober dream to that brittle philosophy 

From this silly present to that uncertain future
From this strange human to that evolving creature 

From this labyrinth life to that simple death
From this fleeting day to that final breath 

What consoles my hopeless eyes?

Confession of Horror

 

I am afraid of the world

I am terrified by its size

                   Its unpredictability

I fear its mouth

It’s going to swallow me whole

 

I am surrounded by a wasteland of panic

I am going to perish in agony

                             Alone

 

What can I do but wait

                   Endure

Survive the intense torture

 

This is rape!

The world is raping me to death

 

I am paranoid of the Chaos

                   I have no control…