on magic

By the proximity

      of endless spirals

spiraling dimensions

firmly situated in front

of the faces and worries

as if by magic

but magic so fiercely unwanted

    it is looked upon as

            ordinary occurrences

so without objection

the red flame of wine

sinks and stays at the bottom

encapsulated by the glass

yet its fire is irrepressible

too powerful minuteness

seeded in all things that

          transform us

magic, unheeded magic

magical cores burdened – with reality

together with the ungraspable circumstance 

           of happiness

containing not identifiable things

rather emerging like a gigantic bubble

at the center of a monotonous lake

more and more is given

more and more resides

I extend my grasp to any one spiral

      to the suddenness of it all

there are magical births here

          trembling with infinite abundance.

Nihilistic Poetry

The beautiful irrelevance of language.

Limitations to discourse and knowledge.


The
undeniable reality of language,

the sounds inside our heads,

the discourse within our skulls,

the rigorous mathematics of our technologies,

is a matter of great uncertainty.


The fact that
we rely so deeply in the functions of language

seriously undermines our attempts

at concrete knowledge.

The discovery that knowledge is portrayed by language

or symbols

and that linguistic symbols are inappropriately

capable of representing perceived reality

is an astounding obstacle to our assessment

of an objective reality.
 

 

 

In more simple and human terms,

the realization that we obtain “acceptable” knowledge

in any form by its communication

either by mathematical symbol or linguistic form,

already makes it clear that we are submitting ourselves

to an established norm.
 

 

 

This norm is adopted,

valued

and protected

by the establishment,

namely,

Science,

 

but once this establishment is submitted to the scrutiny of doubt,  

we realize that Science or concrete, irrefutable knowledge  

depends, and in fact,  

survives on language and symbol,  

thus we can begin doubting the certainty  

and accuracy of its claims.

 

The first undeniable doubt is the perception

of the incapacity of language

or any symbol

of portraying reality.

Language is by its own nature, rigid, stiff and linear.

 

No matter how prodigious the scientist

or philosopher is,  

the fact that he or she describes reality  

by communicating a symbol,  

already contributes to our suspicion:

the use of a rigid tool (language) to describe  

a fluidly ungraspable perceivable reality.
 

 

 

The proof that language is inadequate to describe accurately reality  

is in no way possible of being proved by language itself.

It must be realized, perceived, experienced by the thinker.

Just as Science seems to be the absolute truth to the world today,

we must never forget that Science is not an entity by itself;

it is preached and believed by humans.
 

 

 

Any human, no matter how committed to objectivity,

will still be influenced by subjective impulses, personal past experiences

and biased ideologies.
 

 

 

Science has by this account two main weaknesses.

It utilizes linguistic symbol to portray an un-symbolic phenomenon;

and secondly, it is sustained by humans which are never unbiased.
 

 

Nihilistic Poetry

Chronology

I was reading a poem by Bukowski

       It is called “jam”

I read a few lines, pondered

        watched outside the window

then resumed reading, while I was still

     light-blind

suddenly, a tiny speck on the page

       moved

it was green, it was alive

as my vision came to normal

I could see the insect

– wasn’t sure which kind –

the little one walked on the page

stepping over an “s” first

then a “w” but turned back

then came down to the word

      “same”

and headed to the edge of the page. 

I finished the poem, and thought to myself:

 

“This Bukowski is really good” 

 It was the first “Buck” poem

I ever read.

Lo que nadie vió

Una anatomía del tacto 

o que se desliza por su espalda 

lo que no llega a sus nervios 

desconoce 

los ensueños que se desenvuelven 

ajenos a la percepción. 

Cuando volví a ver atrás 

– para saber que sucedía – 

ya todo había pasado 

y mi gozo no pudo ser mayor: 

el mundo vivía sin mi  

era libre y nadie ni nada 

             sabía mi nombre.

Mantra — field of happening


Be. Let whatever happens, come to pass.

     To be: embraced by a field of happening.

There is nothing imperfect, even contradiction

   and desire – let it all come.

Allow motes of dust to float

          the heaviest pain to sink

there is nothing at all that does not belong –

     let anger and irritation play their part

but release them and go on.

Close your eyes and dig deep.

Study the phenomenology of thoughts

              the strange ocean of being

overpowering pain, elusive pleasures

  

              Be. Embrace the field of happening.

 

More Poems

Infinity

There is no place to start
 

     a beginning point

an igniting flame.

There is a Rorschach blot  

             a streaming dream of structure

a finite accomplishment; 

          surrounded by infinite reach. 

 If you start from this,

      then anything is possible.

My chest can suddenly burst open, 

       and twigs may grow.

Impossibility is an illusion.

              A repeated illustration

of what’s real;
  

         keeps infinity from shining forth.

 

 

 

Useless Poetry

The Gap

 

I couldn’t lie

 or distort the truth

when I tell you that seven seagulls

–   not six or eight – I counted,

    took flight in the direction of the moon

and that the water was slightly offering an insult

  with its restlessness and simple undulations

I suddenly felt as at the bottom of a gap

    a precipice that links two different lands

behind me everything that is

  before me everything that could be

I was inside the great hole that separates the two

  and it didn’t seem fair to build a bridge

sauntering from fact to possibility;

      to cross this gap

I felt

  requires the courage of a climb –

to create a new fact

     demands a start from the lowest point

to climb up again in rags

    to emerge from the deep

after the torture of darkness has engaged with us…

only then can the gap be closed!

 

 

 

The Hangover

The Hangover

A short story by Pablo Saborío

 

 

 

It takes days to cure oneself of a bad hangover. Especially when you were drinking to annihilate your self. By the second day of recovery you venture to the outside crossing by crowds of strange humans, all dealing with their petty crimes against humanity. Some are sweet-voiced, others are confined to a wheelchair, further down the same street there’s someone eating out of a china-box within a photo booth. Then you sit next to a frisky little bunch in the metro, they’re sipping their beers patiently, almost indifferently, while I experience a resurgence in my desire to drink again, which I had considered dead, at least for the next two weeks. But no! They sip, yes sip and not gulp, their beer, degrading a liquid so awkwardly powerful and intense that it is capable of mounting you on heights hardly reachable by healthy means. They sip and get out on the next stop; I in the meanwhile savagely thirsty and guilty; will I obey the exhortations of this struggling body or should I return, intoxicated, to a realm of divine recklessness?

By midnight I am gulping down my fourth wine, talking, or more accurately, listening to a 50-some Swedish painter, he discusses art, mafia and Ikea. He runs a gallery, his gallery with his naïve art, and sells 80 Euro bottles of Italian wine. He treats me first to red, then white, then red wine again. But I am bored, he speaks in muffled English, he is clumsy and I still feel sick from the alcohol.

I leave the Swede and turn to dark over-crowded streets, the hours careen by me and the beers in my hand evaporate in my mouth. The punks’ dogs stare at me, but I am no threat; not to them at least. In limbo, between melancholy and ecstasy, I buy a bottle of Jägermeister, then stare up, the half-naked moon, two stars as bright as the reflection of the sun on a watery eye.

What happened then is gone, obsolete, erased from the face of the earth. I awake like a victim of an overnight Holocaust: dehydrated, poorly fed, muscles aching, dazed, tired, sick. I don’t attempt to recall the events of the night, too painful to think. I crawl to the bathroom, shirtless, with one sock, my genitals soaked in their own piss. I drink and drink water but the nausea is too deep to be quenched, so the water tawny by a mixture of gastric acids flings out as fast as it was coming in.  I dare look into the mirror and to my feigned surprise there is dried vomit on my hair. I begin to fill the bathtub with boiling water, remove my worn-out sock and sink into the swelling water. Sinking was like a freefall, falling endlessly, disintegrating, as if losing limb after limb, organ after organ, bone after bone,  until I am nothing more than a feeble heart thumping, aching, despairing — this wretched hangover, is all I am thinking of. It will be my prison, my womb of pain, for hours that seem like ongoing déjà-vu’s, but the pain, discomfort and depression are bearable only till nighttime, when a mountain of sleep comes over you but you can’t sleep out of anxiety, out of the fear that you will never wake up again. Right then you promise yourself you will never drink again, a vain promise of course, only because the venom is still in the body but without its transports and sedations; consciousness and the body are momentarily one, in the struggle to heal. Next day, or two or three, past the agony of hangovers, the venom will have a different name and will seduce consciousness to intimate with it, while the body is left alone again to filter and cleanse the body during the recurring hours the mind, enraptured, feels free and invincible, drained no longer by a venom but instead invigorated by an elixir.  

After the long half-awake sinking, throwing up seems like the only immediate relief. So I puke right in the tub, too weak to step out and dry a shaking body. With my feet I release the sock that served as a water plug. I climb over the white surface to reach for a towel, then without a moment to react I keep falling, this time to the ground. My ribs break the fall, a pain that only shyly overshadows the general evil of the hangover.

Food seems like a good idea. Even when appetite is alien to me, I swallow a banana without chewing much of it. I stare outside the window, more windows, more lives each with their subtle discomforts and agonies. I don’t feel jealous or even eager of a healthy lifestyle, the apparent serenity of dull hours seems a terror more strangely inacceptable than my current curse. Movies, dates, books and uninterrupted sleep represent louder hells than the buzzing of an irremediable headache.  

The afternoon sways back and forth like a drunken ship. I am lying down, face up, thoughtless at times and then thoughtful at others. No regrets, no abomination. Just a wait, a slow healing which seems never to come. Hollow thoughts, flashes of memories

was I robbed? The money I have left is astoundingly low, couldn’t have possibly spent that much. Was I robbed? The twinkling raptures of a foregone night, the heights and hymns of eternity, but now, my soul empty and debacle all within me. Had I been robbed in sleep, had I been punished for entering worlds not accessible to animal Man?   

The thought that a Sprite can appease my rolling nausea conjured strength in me to go outside. Big mistake. Day one of a hangover, stay home, keep low. Crossing the street, lights too sharp for eyes so weak, cars and people, children and dogs. Sundays are for those that think the whole world was made for them, they are careless hand-in-hand, while creatures like us are hidden away recovering from our rebellions. A stream of panic overcomes me, what if they hurt me, what if they attack me in my weak state. I stumble as I walk and families pull their children close. I vomit at the entrance of the small shop, but the old man is not visibly offended. He must be one of us or used to be in youth. I pay for the Sprite and tip him for the mess. I run, as fast as I can, home, sweet cave of mine.   

It is normal to feel this way, I keep repeating myself. It is normal and it will go away. The torture comes in waves, both physically and mentally. The best you can do is crumble up in fetus position and wait.  

The dread of night arrives. I could have been sleeping all this time but I refused. I wait till midnight, one, two, the eyelids are heavy from the denial of their function. There is only one last thing I must do. I must take a long crap, eject the putrid contents of my bowels. The trip to the bathroom lasts long as I was nearly defeated by sleep. Short and heavy steps, deep breaths, very slow and laborious heart beats. I squat, the intestines twist and turn and a blob of nondescript matter is sunk.  

Lighter and victorious I can return to bed. The thin sheet serves as a mother, embracing her wretched child. Thoughts are cloudy, random images are appearing, yes, sleep is finally here and tomorrow this will have become a nightmare and no more. The beauty of time! Sinking and disappearing, nearly at the entrance of the first dream, I gasp violently for air and sit up. The first attempt to sleep is never easy. Before actually falling asleep, three or four times this was repeated. Gasping for air as I was drowning in sleep that felt like a cold lake. I could have died, I think, I could have never returned.  

 

 
 
 
 
 
 
 
 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

A nameless world

 

 

At the start of a new poem

 the world is born again

as if I have never written a word about it

    and was experiencing it for the first time

these trees are not trees

   this sky is no sky

I still don’t have a name;

    I see a spark

and try to name it,

    then it’s gone

and all I have left

   is a bunch of useless words.

 

 

 

Useless Poetry

With a simple line

I have to start somewhere 

   with a simple line, a simple word

with a message parallel to

                         despair.

From what premise should we start ?

         That the world is seriously important

or that it is unimportantly foolish.

              Take your stand,

there is no final stance

          a long-winded illusion

appearing and disappearing

         at times irrefutably real

other hours, come as falling dream’s ash.

       I have to end somewhere

with a simple line, a final sigh.

Nihilistic Poetry