An Attack on Science

 

Science is based on an unscientific judgment of value. Science and its followers claim that knowledge and truth about the world are only possible through the scrutiny of the scientific method. Therefore, all other sources of knowledge are doubtful, if not, downright mistaken. It eradicated subjectivity from its grand representation of the universe and claims to speak as matter-of-fact and objective as possible.  However, the scientific enterprise has still to prove why we should deal with the cosmos as a problem to be solved; it has yet to answer why knowing is much more important than any other human activity. The great technological benefits we enjoy today are not at all essential; we clearly see the animal world enduring without vehicles or television, or notions such as gravity and entropy, such ‘animals’ even have very complex societies or innate flying abilities. Therefore science cannot claim to be the ultimate route to a better and wiser life, it is a historical phenomenon existing only for the past few centuries and not necessary to life on this planet. In this sense science is morally unscientific; it cannot provide evidence for why a scientific attitude is more preferable than, for example, an aesthetic or nihilistic one. This is simply because science has not been able to predict human emotions or chart our future decisions, it has nothing to say about what we should do; it merely states what is not what should be. 

Scientific-minded people believe themselves to be the most rational minds today. They have associated rationality with one method of inquiry (i.e. scientific method) and have abolished all other sources of data and knowledge. This seems to me more like a limitation than an advantage, precisely because science cannot deal with the whole spectrum of our experience. It works simply on the observable external phenomena and has yet to contribute to an understanding of human consciousness. It pretended for many centuries to get rid of this uncomfortable fact but the shadow of consciousness has crept into modern physics and it is now clear that even basic physical concepts such as mass, distance, velocity, time, are dependent on an observer. In a broader sense, rationality should encompass more than just science and its mother logic, considering that science is narrowly limited by its inability to connect with our whole experience of life. In other words, we are aware of things that the analytic mind cannot formulate. The rational discourse of science is incomplete; it cannot be the entire picture since it lacks insight into our inner life which is as real and undeniable as the external world. For this reason we can learn about life equally as much from a scientific treatise as from a novel, a poem, a kiss or a beautiful landscape. 

(This is not an attempt to invalidate science but simply a reminder that the powerful mystery of life cannot be grasped from one perspective. Those that are dedicated to the exploration of existence must remember: there are no official paradigms; we alone bestow authority to whatever we choose to believe. We cannot limit the cosmos to certain aspects of itself, it is beyond our attempts to reduce it to one knowable thing.)

Liberation

Free wanderers of the spirit, you astronauts in the lost space of indecision, all of us that have noticed and condemned the irrationality of our age, yes, you passionate survivor that in the mist of these nonsensical years battle through the current of conformity in search of a justification, a raison d’être, a simple satisfaction that will overshadow the ever-lasting presence of frustration.
We are the inheritors of a struggle that has pervaded all of history. Our efforts so essential in the field of human potential must never come to an end. In these complex societies that require even more complex solutions to cure the collective madness, our perseverance must not wane. Even if most attempts to heal the wound of civilization have failed throughout history, the spirit of the rebel will live on as a child of that irrepressible force that commands human existence: an energy that will ask of us to emancipate man from his self-imposed shackles.
Our mistrust in human conventions, ideologies, and reforms should not stop our search for an immediate liberation, a source of enlightenment, a spring of contentment. In peeling off all boundaries we still have a chance of finding a secret treasure in nature, beauty, art, brotherhood, work, love, poetry, even in the darkness of suffering or the maniacal passion of a philosopher, somewhere within these and all inspiring things we may stumble across a beautiful sensation of peace, a harmonious agreement with what is most essential in life.
But what is the most essential?
This each wondering mind must seek but I am sure that with sufficient honesty and perseverance we can find that basic need and satisfy it sanely. Then we may watch our torments wither away and vanish as our reality elevates itself into a more exciting and promising realm.
Allow this vision to settle in:
Long, unanimous cries and shouts into the open sky, not from another fascist’s Holocaust but from an inexplicable mad ecstasy, the long-awaited contact with pure joy.

Turbulent Purple

The fiery afternoon had transformed itself into a turbulent purple. How else could I describe it? It had no other name than Turbulent Purple. I am by blind necessity bound to call it by that denomination, I am a slave to that ambiguous name. Leaping in and out the oblivious space of mind, short and poetically vague sensations occupied most of my purposeless time. Without explanation or warning I could read in the papyrus of thoughts scriptures such as these:

           
            Centuries of dancing shadows
            Has the strong wind of fate
            Extinguished Man´s recurrent dream?
 
Ah! From where do all these voices arise but from the nocturnal?
 
How senseless it is to reveal in words the impenetrable mystery of the mind, how lame an attempt to reproduce the wilderness of wonder. The afternoon had turned into a Turbulent Purple and I became sure the existence of written language had no purpose but to express the shock of our encounter with reality — it could never explain a thing. So, without regret I had survived numberless fears of imminent death so I could experience once more the unnatural beauty of nature.
 
Ha! So many years organizing my thoughts so that in my final despair I found every cell in my body to have a life of its own and my thoughts faithful pilgrims in the inhospitable lands of paradox. Therefore I studied my body with care as if it were an extraterrestrial lump of matter and completely gave up the hope of a systematical account of human experience. Then I focused again on the sky and the world was still a turbulent purple. It was not long after this that for the first time I started doubting of the ancient and perennial pillars of art. It seemed to me that if all things go wrong the last desperate redemption would come through art — art had a special bond with the essence of all experience, it embraces the whole multitude of feeling and all genre of action and yet it transcends them all — or so I thought.
 
“Life and death for art” would have been my motto two years ago. But in my rebellion against all dogma the mutiny of doubts turned against my ideals and the sky of my convictions became turbulent — perhaps purple to a spectator of my consciousness. If myths, religions, wars, slavery, races, countries, continents, suns, and galaxies all have an allotted time, art surely is as ephemeral as the rest. Alone and destitute I stood while the echo of a turbulent purple sunset reverberated in the coffins of memory. At last I got rid off the most obdurate preoccupation, second only to death — namely, life no longer lived for art, love, money, fame, joy or by instinct alone; it seems likely to be here for no reason in particular. One last thing remains certain:
 
               Returning from the underground
               Reflections in echoes
               From the pit of despair
               The fountain of wonder
               The irony of this paradox
               From the art of Nature
               Conceived the death of Art
               A dying fire. . .
                       Turbulent Purple
                          turbulent purple

Heavy Steps

painting_dreams_lost_man

Old and brittle man
walking alone, hands behind back
dragging his feet, stooping his head
as the town of Itacaré swam
in melodies of reggae, seasons of breeze
Poor old man, stumbling amongst thoughts
entreating pain to numb his soul
so as to never suffer harshly
from the whip of regret —
Why does sadness allow me to forgive you;
come here old man
sit by my side, listen to the stars
there are still things your pain
                     will never mar

Behind the Chaos of Creation

 

 

I was dark as a gigantic shadowed mountain

I was impenetrable like a frozen ocean

I was silent like cactuses in a desert of nothingness

I was absent as the cold sleep of death

I was static like an atom between galaxies

But I was not alone, not abandoned

We were lovers, young and passionate

We made love, through and through

Our bodies flew away in the agony of pleasure

Then we both, in the horizon of thought

Disappeared like gods behind the chaos of creation.

Immensity

 

Feel free to venture into it,
Those lands of lucid revelations
Upon the contemplation
                        of a tree
                            or an ant
The formation of a cloud
                        or the wind in skies
Submerging into the intimate universe
While our sight becomes a tongue
in warm moist contact
With the immensity that surrounds us

 Oppose it no more,
Engulfed in the tenderness of the night
Surveying the voids of the galaxies
Stand maskless on the precipice of every moment
            In a frightful convulsion of disbelief
Powerless: halfway between wonder and adoration

Sky of Poetry

(July 11th – 2007)

 

And I’m still alive. Standing on a dim-lit bridge watching with disbelief the fantastic horizon as the fiery star’s return is heralded by the tones of pink, purplish-red, tawny and azure pigments in their respective order from horizon to zenith. It is 3.09am, and the moon is manifested by a thin ark of potent white, the rest of it obscure but visible: its entire orb can be witnessed from this bridge that overlooks on a magical lake hazily imitating the transcendental beauty of the sky. Below me two ducklings swim in the still water, small insects flutter around me, the glorious architecture of Copenhagen stands immobile while, progressively, this pen inks a few words as a substitute for a photograph, a camera that I do not hold now to share the explicit mystery
                        Of this solitary view.