pieces and failures

Call me the hunted man
I’m the stranger in your claws
the convict in your laws
I drink the poison of your bars
but I’m not the drunk as this life
inebriated with pursuits
I toast to immensity and curiosity
my life phenomenon strangest consciousness
painted beauty on the orbits of seconds
ideas that have misspelled their democracy
dreams that disinherited their syntax
love for your lost eyes
too shy to reach the earth
I’m the Nostradamus of the irrational
unable to predict the literature of the collective desire
in the mouth of September twenty ten
we will drown in the saliva of tedium
then, BANG!
in the glory of being
a tsunami of heartthrobs will flood us
our voices in unison
     my lord the white blue green yellow of joy
     has painted the flag of my new devotion
     let all creation be the mathematics of ecstasy
I’m the comedian of impossible utopias
jokes for the philosophers of tears.

 

modern poetry

observations

winter contemporary poetry

Far
again living
awake
aware
standing on cobblestone
streets
where the grey amnesia of the sky
meets the wet mirror of the street
the snow rests nested
in the tucked arms of branches
imperceptibly rocked into a dreamless winter
voices, alien and desperate
emerge and then disappear
in accidental alternation
like those winds that visit trees
and the zoom out of sight
into a hemisphere of silence
the youth, the drunk and the dying
calling out: it’s too late
adding to the noise
that slowly lulls
the entire earth
to sleep.

contemporary poetry

a possible death

dreaming death

The end
had come
plummeting to the ground
my fingers spread
making one last contact
with the sidewalk
the rough cement
at the base
of this ultimate world
I was dying
my heart had only a few
beats left
before the entire
intoxication of life
would vanish
and I
touching this world
for a last time
on the street side
the hard grey cement
the pain and the beauty
the last sight of sky
the last gust of air
leaving
all the strange
beautiful
perplexing realities
within the earth
that was holding me
for the very last time.

excerpts of reality

Poetic Scenery

What is there in this cave
a view to open lands
an earth, deranged and full
but an earth nonetheless
where nothing belongs,
above the expanse
full too of this emptiness
a quiet eternity
lost of words
almost a loose world
the mote of dust
under the murky ray of a sun
unreachable by time,
fragmentary boundless
as the white untrammeled snow
over the excerpts of reality
retreating
with its history
of the purest subjectivity,
with its wishes
of weightless dreams,
in this cave
on human thoughts
with an excess of time
and the open lands to forever
left untouched.

 

More Poetic Scenery: Nihilistic Poetry

A line of thought

medusa

We haven’t reached the spiritual vertigo of Zarathustra, for in his abundance of knowledge became weary of too much wisdom; nor are we broken down by so much grief as Titus had to endure. We are not too small to be completely insignificant, nor great enough to awake with daily pride. Our real circumstances are somewhere in between the extremities, our toils are not fully tragic or heroic.

We battle through the repetitions of the calendar and if we strive to send out a message, a moral for our collected personal histories, what unclouded expression can give meaning to the facts of our plainer existence? What, for instance, is the final message of the universally acclaimed films of Forrest Gump or Amelie? What feature in their unwinding plots seizes the spectator’s mind-body and synchronizes its fictitious reality with our own living novels? The former film is a wonderful exposition of the Ying-Yang character of any human life, yet in the end the legendary up-and-down events of Gump’s life become simply a background for the truly memorable moments of his life as he describes them to his life-long love: gazing at the stars at night, contemplating a sunrise, running by a crystalline lake, and surveying without distinction the earth and sky. The latter film from the onset exposes a lover of life in her most basic and simple experiences: sticking a hand into a sack of beans or skipping pebbles on water.

For both films, besides the eternal search for love, these aforementioned singular and unpretentious experiences somehow seem to magically justify the turmoil of existence, our inevitable mortality and the lurking solitude that hides away in every human heart.

But while Zarathustra, Titus, Forrest and Amelie lie tranquilly behind the surface of a book’s page or the film’s screen, what is for the true mortal being the climax of his life? When do we find the ultimate recognition of our satisfaction, and if we do, are we able to leave behind forever the racing dream that we have called our daily reality? In other words, once we find a simple reason for our being, can we then allow it to return to non-being?

The search for fulfillment needs not reach the extremes of intellectual inquiry of Nietzsche’s Zarathustra or the emotional explosiveness of Shakespeare’s Titus, perhaps our day to day lifestyle will be enough if it be endowed with sufficient awareness, a recognition that behind our meals, offices hours and snoring sleep an intuitive beauty akin to what Forrest and Amelie felt in their rudimentary experiences is available to us.

After all, is not the triviality of the familiar set before the grand theater of stars and galaxies? Is it so surprising that this world as it is, is just enough, that we need seek no more, progress no further, attain nothing more…

Had today been the last day of this earth and we the living saw and participated in the last scene of this earthly play, would not every last smile turn into a divine sign, every last meal a most sacred ritual, every last conversation a most treasured bible, every last kiss a most unnatural miracle.

The potential of the ordinary is quite extraordinary once we acknowledge how rare and marvelous is our neglected existence.

Do not approach me

I’m surrounded by an atmosphere
not of air but of stone
the vastness of the Existent, breaking
falling upon me like an avalanche of lead
I am compressed, the center of the earth
knows nothing of this tremendous pressure
Exhausted under this weight
words fail, expressions useless
Science’s theorems futile!
The Milky Way hangs on my back
There is no abyss sufficiently deep —
I am the lowest vortex
All objects crush me in their fall
Here’s the dungeon of gravity
            Do no approach me…

Who am I?

If an apple would expand to the size of the earth
One atom would be the size of the original apple

If my brain would expand to the size of the earth
What portion of land would hold my consciousness?

If an atom would expand to the size of my room
The nucleus of the atom would be the size of a speck of dust

If my neurons would expand to the size of the earth
Would I find myself at the level of continents, rivers or trees?

If the veil is lifted and the cosmos exposed
Will weight disappear,
     and matter and I,
                    become undistinguishable?

POEM i

POEM  i

In every metamorphosis there is
a symbol of the eternal resurrection,
the thousand faces of a timeless world
                                   born forever anew
 
As we drift aimlessly within
the corridors of a flickering instant,
in the huge vaults of time immemorial
                                 Man asleep, awakens!
 
But the amnesia of the cosmos
eagerly consumes our monuments,
of a civilization new and wild
                               imprisoned on earth
 
If we escape from the shackles
of our legendary blindness,
above these clouds of galaxies,
                             darkness becomes light.