almost

concept

I’m tired of the world
Listening almost analytical,
Blinking and blinking,
Yawning.

And telling stories.

I want to turn off the world,
like a light bulb.

I want darkness to be orthodox.
Like a blanket I
fold into heretic squares of vision.

I’m tired and about
to doubt.

And the sun
Is a big smile
I cannot fuck

I want to smile.

But the dumb
lung is coughing
the truth
away in dirty
streams of saliva.

Fences were beautiful
concepts of once.

Only one time.

To be, shortly.

I almost cried.

Contemporary Poetry

adagio in thirst

hungry_animal

At the piano
I sat and it went
tiriti gruween
brung.

Got up
like a maniac,
picked up
Vallejo

his stubborn
ache voluptuously
around his human fingers

I dropped the book,
the invisible rain
outside was falling
like stones

and I could have
slammed down a
shot of whiskey

but bottle was empty

scratching the olive
skin into red patches
of hurt

and decided everything
was a circumnavigation
‘round nothing

that I had to kick
language out my house
like a dirty old dog

these things like winds are words

and I wanted hard life
tonight, like fury
dripping from my cheeks

and it was raining
ridiculous worms
writhing in eight ecstasies

it was the night

to leave in flight
like a rapacious animal
to dark and faithless
jungles

at the very least,

a night
without ideas

and again to the piano,
I sat and made clouds of sound,

dirilin dorem, silafu.

 

AntiPoetry

outta here

beyond_language_poem

Let’s be tired of words.
Of how we started endless
galaxies from an eye that is smaller
than the grain of infinity.
Of sadness that is a mess
nailed to the CORNER of
LIFe.
Let’s be weary
of how eyes open
and close into new
continents of light
and junk like hung
in memory’s mausoleum.
Let’s put a Beard on Happiness
and let it sail without rum
into the range
of yellow.
L’et s be tired of language,
‘tis
but a mayor reason
to abandon reason,
look how wide
the measurements of our bodies
have curled like hair around
the concept of love.
Let’s be grotesque
born figments fancying
fragments of fire
making fury like florid
petals atop the function
of the facts.
Let’s sing silences.
In vaults of fine emptiness.
Let’s abandon
the distance that is mirrored
in the instance,
faintly so feebly fleeting
into utterance.
Let’s be flying error
that spat onto text
like orgasm.

AntiPoetry

a song in language

language_and_World

Here is language
standing in the world
like an obese piano

here are my lips
caressing chaotically
a plaintive arpeggio

a strung mass
of sea splatter
struck by mechanical
whim

I sense freedom
in verbal form
that suckles the
shadow behind
vocal foam

here are the colors
aligned in black mountain
& white valley
here the world
trickles in echo

here is language
standing in the immense
like sculpted fluid

here are my lips
opening like rain
the bouquet of sound

 

 

Contemporary Poetry

language as crust

language_as_Crust

really believing
two of the greatest
musical quivers
boundlessly

I burst quite sick
into history
with how many heads
always holding symphony,
art otherwise despair

consider one literary
thing, make it your bed
and invariably perish
simultaneously with every
thing else

really believe
an absolute nature
factually accused
of producing
nothing

to be a seer
more indeed than describe
but misconstrue
into artless paralysis

walking in reality
but in truth
to bear torrential
truth

do not enter
a tree or song
but life

life, nay, breathe
into something featureless
who knows what reasons
mysterious dissolved them
as examples of this process

merely accept this object
as contour groped in darkness

possibly decades
in the making
itself a memory ago
where I promised
to write language
as crust enveloping
experience

Contemporary Poetry

behold the word

basis_of_Earth

 

 

A poet holds a word
like a heavy tragedy.
A poet holds a word
like a loud apocalypse.
A poet holds a word
like an epic miniature.
A poet holds a word
like a historic voyage.
A poet holds a word
like the cup of disease.
A poet holds a word
like the blood’s island.
A poet holds a word
like the axis of light.
A poet holds a word
like the noise of truth.
A poet holds a word
like an immense event.
A poet holds a word
like a vital bone.
A poet holds a word
like the spine of god.
A poet holds a word
like eternity’s tear.
A poet holds a word
like the basis of the earth.

 

Contemporary Poetry

simulacra

city_Existence

I have never tasted the world.

With skin, I cannot live as a man

in a city simulation.

Before it rains the landscape

sober despite action.

I did not walk across

the surface of awareness

. Pure angst that it is.

Imagine happiness like held thunder.

When something is new

its artificial language displaces the

characteristics of the innovation.

But I’ve prayed for the earth

to dissolve as a drug on

my tongue. And extend

a bridge between truth

and this movement.

The blood stands in the way

like a mural of total redness.

 
I’ve never tasted the world.
With this skin that can only mirror susurrations.

 

Contemporary Poetry

metapoetics: a simple song of sand

song_of_sand

I have a minute to sing,
that is to say,
to open the mouth and exhale sound,
or, one could say, to release
a melody-scented breeze,
perhaps even,
while stretching its meaning,
one could say,
to extract from the lungs
a billow of rhythm,
or even more wildly poematic,
to secrete from the lips
a blossom of chords,
which can also be put,
if one indulges in poetic flights,
as,
radiating threads of harmony
from the oval aperture.

And I’ll sing of the sand,
that is to say,
of the minuscule shining cells,
or, one could say, of the worn
establishment of rocks,
perhaps even,
while stretching its meaning,
once could say,
of Blake’s innumerable worlds,
or even more wildly poematic,
of time’s corrugated vestige,
which can also be put,
if one indulges in poetic flights,
as,
soft volumes of exhausted earth.

But I only have a minute to sing, so I sing a simple song of sand.

Contemporary Poetry

schematization

thin echo of fiction

You now
must know
what it is to crave a glass of water
or to sip a kiss;
to be so reckless as to flood
the heart because it is a crater of chalk
and you’re tired of its empty dusty frame.

I don’t remember what
kind of day it was.
Full of sun with
musky winds, dark with
impalpable clouds, perhaps
flat and drunk in sapphire.

I don’t care what kind of day
it was; a day to forget like all
the rest had I not begun to count
the breaths I’ve taken in despair.

I began stooping like an imbecile twig
that bends with every paddle of the wind
as if an essence had broken into milliard
tiny mirrors on the sidewalk, and I had
to count and sew them back into a remembrance.

I plead for the pallid crust of light that envelopes me
like a bulky perfume to melt into a song of shadow
or even for a single mindless mote of dust
to land catastrophically on me and pierce
this ferrous mold, I want to watch my holy skin
fall away and leave a naked and unwashed soul
standing erect like a pagan odalisque.

But don’t show her mercy, kick her out
of this world drama, let her run barefoot
back to her incomprehensible origin.

It could have been a year ago, while getting on
a bus that I conceived of grabbing silence
by its throat and squeezing out a peep;
I had been so innocently prone to believing
that the world was a gigantic bird suffocating
me with its kaleidoscopic feathers but
now I feel at home because suffering
sets as a sun behind the panorama of knowledge
and even if it is reborn every day I dream
at night of being a thin echo of fiction.

Amen.

 

 

 

Contemporary Poetry

withdrawal

raw fields of bliss

If a closed
pair of eyes where
I could crowd
the effusiveness of 16
hours spent in doubt
and awe,
if I could stitch the
wonderful cloud
of perception behind
the dark mirror
of sleep,
if a coarse
hum of cars could
kindle the low brass
handsome innocence
of the thunder,
if the cocks collide
at hilarious dawns
in darkness the pupils
empty of light
to be cups brimming
with the honey of sense,
if the boulders of the eyes
spewed by the dreamer
land far away
in raw fields of
bliss

 

 

 

CONTEMPORARY POETRY BLOG