fifth floor

fifth_floor

I decided to live on a fifth floor

because I enjoy viewing things from

afar

most afternoons

I watch down

on the swaying of the city

the moody strangers              

the angry cars

a fifth floor is a nest

seated on the branch

of a decaying tree

sunsets are my favorite

when the ooze of night

drips over the frightened lampposts

quickly the children of the day

retreat to their smaller caves

on a fifth floor

there is not much to do

but watch the ambiguous expressions

of pedestrians

and listen to the tired screams

of ambulances

while the cool autumn air

sinks

between the concrete-walled

canyon

I moved to a fifth floor

so I could have thoughts

like these

and to never

become

one of them.

 

 

 

Nihilistic Poetry

A modern crisis

a_modern_crisis

We were born after a whole deal of postures and attitudes had been tried and dismissed. It seemed to me that this was the first time in human history when life was unbearable even while we have all the basic conditions for survival and a surplus of commodities. We live in the absence of a raison d’être and our very lives could actually be defined as the search for that sacred reason. We would and probably will travel around the globe and consume every possible experience in search of that elusive understanding that could justify and make sense of all the seemingly senseless gyrations between birth and death, hunting for that catharsis that would erase our feelings of inadequacy and insufficiency.   
If I am allowed to make a stand on the current emptiness that governs the modern rebel (and I must state that this rebel is even reluctant to assume this label), I could place him or her within a crisis of value. Let’s formulate this crisis. The ‘fortunate’ human being that is born in a middle-class or higher family is bestowed an excess of leisure, which is occupied with an endless parade of distractions, vague and short-lived entertainments that do not provide deep-rooted satisfaction. This repetition of material hedonism is deceiving and can engage the individual in a merry-go-round of renewable pleasures that are futile in their long-term effects. What an overwhelmingly urban and global society presents as the content and purpose of leisure is more often than not a distraction, a veiling of our impoverished consciousness. The value crisis in which we are situated stimulates thus, within the rebel, a sort of antagonisms against life in general and humanity in particular. Is this a wise human race encumbered by trivial pursuits?
The rebel stands in an existential agnosticism. What can replace the insipid routines, what solution can one offer to resolve the dilemma of human baseness? If leisure represents the time humans can delve in their purpose, our reasoning would lead us to suppose that the average human lives for unchallenging and ready-made experiences. What about the higher fields of art, music, religion, love? Have these been explored sufficiently by the modern man? Do they offer any comfort? All questions with no ready answer, the rebel is obliged to ask without answering, merely pointing to the emptiness without offering a substitute.
The rebel doesn’t conclude hastily but is eager to explore any alternative. The contemporary paradigm is of a successive development from school to career, love to family, wealth to belongings, material accumulations to distractions; yet all this is seen as a deception, a reductionism of the natural potential for a human life.  The rebel is apt to adopt a cynical skepticism towards the replacement of one mode of life for another. Life becomes an experiment, a lonesome journey through the limbo of uncertainty. Could religion fill this gap, could music appease this anxiety, could art express this loneliness, could love heal this wound? The experimenter enters them all and many others with caution but will urgently surrender if any of these would deliver him from the surrounding emptiness. Yet traps abound, the guinea-pig rebel still has within the seed of conformism, soon things lose their depth and life abandons its impetus. How to keep the zest for life awake without returning to the dullness of a repetition-ridden soul?
It may seem we are doomed, that any experience by force of repetition becomes insufficiently satisfying for the abyss of hunger that grows inside. 
These reflections surge from a modern crisis. A crisis from our lack of meaning, our absence of value. This, in other words, can be called a spiritual crisis. But the themes of this crisis are not god or original sin, it rather belongs to practical ontology, that is to say, a transforming of the quality of being, producing a reality that becomes not only bearable but powerful enough to sweep away the myopic awareness of normal human life. A new understanding might be wanting, a new wisdom of what we understand human life to be, what we do and what we aspire to; a journey that requires a mixture between philosophy and adventure, a compendium of revolt, daring and openness.
 
 
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Hope on my hair

Hope slithered down the wall to my left,

she had two long antennae and whoosh

she jumped on me or so it seemed

at first I couldn’t tell exactly where she landed

my left thigh was my first guess, but looking closely

she was not there.  Finally, I saw her

not on me, but at the base of my office chair

playing, gliding from one side to another,

I raised my sight to keep writing this, now

I look down again, Hope is gone.

I look around, she moves swiftly and likes to fly

she is green and fragile like a crystal, so I am wary

my clumsy feet could crush her to death; at length

I see something move, far off near the window… but

no, it’s just a fly preying on an old leftover.

So, I stand up with hands on my hips,

I look up, down, to the side, my back, my feet,

she is nowhere to be found.

I come back, write a few more lines and I spot her

next to my ear – she sits at the chair’s top,

she’s playful and hops on me

she is walking all over me, it tickles.

After a while she seems to settle on my mess of a hair

I can feel individual fibers twitch at each of her steps

where will she go, I imagine you asking,

into my ear, into my skull?

I’m going leave her alone, playing, wandering atop

my jungle hair.

I will probably slowly forget her, get accustomed to her

pranks and romp. One day, tomorrow perhaps,

a gushing wind will break my gloomy meditations

and I will, in shock, gently touch my hair

to find Hope,

still sitting there.

Stop

Stop.

 

Please stop.

 

Leave whatever you are doing right now,

 

and do me a favor.

 

Look out outside your window

 

(I truly hope you have a window)

 

to some small gilded leaf in the sun.

 

Stare at it,

 

there’s nothing romantic,

 

poetic or beautiful

 

about that leaf.

It is just there

 

motionless or

 

swinging with the wind

 

it is just there

 

almost too fragile

 

almost too irrelevant

 

but it is there.

 

It is drunk with something

 

it has something we don’t.

 

It is not brighter or duller than us

 

but it has more depth

 

than our little lives.

Nihilistic Poetry

Mantra — field of happening


Be. Let whatever happens, come to pass.

     To be: embraced by a field of happening.

There is nothing imperfect, even contradiction

   and desire – let it all come.

Allow motes of dust to float

          the heaviest pain to sink

there is nothing at all that does not belong –

     let anger and irritation play their part

but release them and go on.

Close your eyes and dig deep.

Study the phenomenology of thoughts

              the strange ocean of being

overpowering pain, elusive pleasures

  

              Be. Embrace the field of happening.

 

More Poems

Infinity

There is no place to start
 

     a beginning point

an igniting flame.

There is a Rorschach blot  

             a streaming dream of structure

a finite accomplishment; 

          surrounded by infinite reach. 

 If you start from this,

      then anything is possible.

My chest can suddenly burst open, 

       and twigs may grow.

Impossibility is an illusion.

              A repeated illustration

of what’s real;
  

         keeps infinity from shining forth.

 

 

 

Useless Poetry

From A to B…

A:  (clasping hands in triumphal display) And that’s how it will all end…

B:  (in pensive mood) All theory is interpretive. All facts are theory-laden. There is no pure objective world out there that we can measure and explain. The act of measuring itself is a creative process. We define reality as we go along. After a while, our own creations become idols, so that a law of physics is merely a cognitive habit. What is interesting to see is that every age in history has presumed possession of Absolute Truth. What will be revealing is that meta-narratives are relative to the epoch’s climate, ideals, unconscious motives, and so forth. Today’s theory will become tomorrow’s mythology.

A:  (visibly offended) My god!

B:  (smiling and sympathetic) But I’m likely to be wrong…

life as song

Life_as_Song_21st_century_poetry

That this life is a song

                a rhythm in time

       it is a string of melody

               an intoxication of chords

                   a synthesis of possibilities

                      an improvisation of pattern

       that it is wandering

              a spontaneous unity

           an organic experience of circumstances

               a multiplicity in simplicity

       that it is an urgency to vibrate

              a progress through novelty

                 a passage through uncertainty

                   a metamorphosis through seasons

that this life is a surprise

           a song in disguise

             there is little doubt.

Coherence

It is impossible to remain coherent. It is an effort beyond human ability – and wonderfully convenient, it is only humans that desire coherence. Life, if you allow it to be, is too intense; and if you look for the words to describe or preserve it, then this intensity travels from wonder to monotony. There is not one single day that is ordinary – only because we are so intimidated by existence that we willingly enter that repulsive state of awareness called “normality”, which is to say, a trivial encounter with known and familiar objects. So, hours may seem like pleasant arenas, where nothing may occur too unexpectedly; but certainly the night comes, or leisure, or what bothers us immensely: waiting comes and hours turn into monsters, ordinary things into blasphemies. We then need to escape, leave this desolate stability; we need chaos, disorder, frenzy! Why? Because all along we’ve faked our pretty little ordered world. We did not want to see things too deeply, we ignored them so we could continue our 9-to-5 placid existence. So, when our hypocrisy is too heavy to bear, we desire madly to return to the world we ignored – we want to embrace the enigmatic, to unite with what is becoming and does not yet bear a name. So we rush away from ourselves only to wake up the next day sick with regret, as if we betrayed ourselves by indulging too much in the irrational. We bounce from one end to the other, grasping for complete coherence on the one hand and on the other, we strip ourselves naked for our plunge into unadulterated confusion. We are unable to leave permanently the false illusion we’ve created, but we fear to stay too long at the other shore, where laws, customs, languages, thoughts and egos break down.

Beyond Language Blog

Smooth sounding rain

Smooth sounding rain stroked manifold layers of green quivering leaves

.

 

Smooth sounding rain stroked manifold layers of green quivering leaves

.

 

Smooth sounding rain stroked manifold layers of green quivering leaves.

Silence within the great symphony of rain.

 

    Silence whilst listening to a thousand voices of cold tropical drops smashing into leaves and edges.

Silence that is grey;
      
profoundly incomprehensible.

And a voice that wraps things full of wonder with words full of emptiness. 

 

   A sight that dwells endlessly on a dream planet, a dream life.

 

A layer of skin that pierces darkness and absorbs the world into a

       nugget of perception.

To breathe in awe of all surrounding perplexing forms, a close connection with improbability.

 

Then it stops, the ever-changing new turns old and rigid. Common, ordinary minutes.

Then again and again there is a plan, a prospect.  The vertigo of wonder disappears

routine conquers anew.

 

Echoing thunder is heard far beyond the touchable. 

             

 

                    To be one with what has been,

    

what is

 

what will be