One day I took a look and there was a place. In that black density a lace began to arrange memory like a bow around every name that I remember, back then, throwing outside, out there, like small smooth stones. I craved to eat the clouds in the mud of my imagination; I was a child in rags (how many clouds had transpired) before I learnt a world was a word capable of eclipsing all the things of the world. So I craved to forget every flavor of sound to rediscover suddenly the purple of music under the noon of my eye. (Always I’ve been making things so real and why is there only an ugly street, this very instant). I remember softening the sky and making a drum in unison with horizon. I won’t claim here that I’ve invented the universe just because I’ve made giant centuries sleep in my mad silence. I’ve only borrowed infant atoms of late. Perhaps I’ve always been alone preexisting like a submarine below the surface of time. I’ve been waiting like a peculiar magnet unnoticed in the abyss. Perhaps this here is not an ugly street but a vein carrying the fatality of the dream to a new pulsation. Perhaps this reverie is not a quick line scrawled on another page of earth. I see now that the poet has started to unearth his own visions beneath the thirst of trees. I see him proudly unintelligible against all the violence of thought. I see now that the poet still craves the flesh of the clouds and has made brightness a bridge across a boundless place.
postmodern poetry
for voyages
Descend aloud
into the art
of the thing,
before words with
enormous arms
bind us to awful
regions of totality
be unique
alone afraid
as the shiver of
twig, partly
shaded by
the inexact locus
of the clouds
rest in the dominion
of a figure,
aslant and radiant
like a candle
in its own silent
culture
adduce nothing
and the inner light
makes a thorn
to thunder upon
the dark innocence
of sensation
look below
as the summits
know little of
our wounds we
use as vehicles
for voyages that take
place behind
the language of order.
Contemporary Poetry
allness
Here in my face
I feel gravity
when light and darkness
are only found in
two eyes that brush
with memory the
portrait of movement
what am I to do
when language’s gone
astray
smashing against
a window like a dumb
bird
we discovered
that the only thing
in heaven are rocks
and columns of gas
that the soul is
an inaudible whisper
returning to nameless,
to a wind to a wave
little man, I hear the elements say:
logic swallowed the world
and reason spat out an abstraction
so, little man, let’s start over
with a new skin around language
caressing the river of change
as only the surface of infinite
dip before death your body
in emptiness
O manifold, never compare
abandon the mistake of identifying
body with body and mind with mind
rather cling to miracle as petals
do to their perfume
and drop judgment like a stone
thru the air and little man
open the mouth the eye and your
bouquet of fingers in the madness
that moves worlds as auras
around the light of stars
fast, construct a minute that is
young fountain and invent a word
that will finally deflower infinity
little man – I hear a voice from all
elements strangling me with all
greenness that is a red orchestra
conducting as a blue cloud
the dance of the night around itself
allness allness
I have a face and it is a seed
at the threshold about to cleave root
in the manifestation of music
so profound
that it enters an orbit
around the love of everything
Contemporary Poetry
on the origin of things

There were no instructions
and everything had a gleam
with no in between.
Even for the mind
there was no concept
nothing to break off
from the rhythm
of nature’s
self-portrait.
There was no suffering
of a thousand of years
and the mountains
were idiots with hands
in the sky.
There were no rules
of proportion and
we were born
in the middle
of gray.
In the midst of howls,
the happy blood-stained
gesture, but there was no
relationship with being
and non-being.
We killed until
ethics was an abstract
form of tool. And language
built a house for
loneliness.
This was long ago.
When something came
to dance and we were its
feathers.
Contemporary Poetry
another age
The dichotomy of any echo,
and the complementary laughter
that stings the heaps of sad
like a muted ray of moonlight.
In the lungs an aurora fills,
nails the stars and releases a joy
that I feel breathing for labyrinth
& the sun has a vein
with the footpaths of June.
If all these years the veil
or unbinding a wall brick by brick
allowing essence to flower like a spiral,
I’ve been telling a tumbling few
of the essence tucked in the
foliage of the song, but who
waits with me for morning
for a Cluster of Sails to Seville,
for two centuries of warm
illiterate frenzy;
for nothing left, and
come back another age
to tell the world that its angry jaw
cannot transfigure our pile
of happy ash.
Contemporary Poetry
no memory of shine

I must convince
you of the truth
that I often
see soften
the beam of light
that unites the things
of thought.
I must have
you agree with reality
which evaporates
desire on skin’s petal.
I ask you to slough
opinion – nakedness in
the water and nebulae,
all after these
layers of years and
emptiness then.
All is firm glimmer
in loud ambiguity
this instant is cold
shredding the world
in absence
to the strangeness of the gods.
All is there to see,
I’ve added nothing new to this
box of history and often speak
as a flattened mirror
carving the light in no memory of shine.
I must convince you
of boundless disappearance
and this awakening toward
death has the taste of liquor
in the mouth of a man
that knows he’s
alone.
Contemporary Poetry
An enormous bridge to illumination
One day you will be in bed, tangled in images, withdrawn from the magic and measurement of the senses. Open hands to drop dewdrops like specks of speculation, falling to fade as fumes beyond fugacious annual fall. All will be idea, analysis of life, as light entering ice. Hours’ vessel without oars, after certain centuries: fire made voice vaulted as fern clung like veins in all directions of silence. What knowledge smelting edges and walls wide as eyes. An act without flesh, only theory inventing thirst for pure blue breath, beauty bordering fragment and firmament broadening blood. Raise fogs with pulleys and lower dawn from a chain. The fabric of façades is yours. Abandon the boundaries of body and dip densely into the center depth. Everything waits for your there.
Contemporary Poetry
on a white couch
Poetry doesn’t prove a thing.
It disproves the authenticity of language,
the permanence of meaning and the
universality of reason. Suddenly,
I thought, on the couch, while
reading a history of Christianity. Christ!
what if that’s true. Dispensing order
the poet returns to a formulation
of disorder, a verbal approximation to
natural chaos. I thought,
while sinking in the couch. Silly
ruminations, I often say. But not
this time. I think I was on to some-
thing. Poetry as the last human act,
a summary of lived, thought, felt
experience, an attempt to crystallize
our plight in an image of poetic flight. I
thought, while slouching and setting
the book on the table. I wondered.
Have these architectural feats of language,
these monuments to image, any
lasting foundation other than soft voice?
That’s the question,
I pondered, while breathing deeply on
the white but dirty couch. What if this
coagulation of exasperation, these
swollen metaphors of pain, are merely
dissonant echoes drifting in the void?
I hypothesized,
while heavy on the couch. That is white
and somewhat stained.
Contemporary Poetry
language as crust
really believing
two of the greatest
musical quivers
boundlessly
I burst quite sick
into history
with how many heads
always holding symphony,
art otherwise despair
consider one literary
thing, make it your bed
and invariably perish
simultaneously with every
thing else
really believe
an absolute nature
factually accused
of producing
nothing
to be a seer
more indeed than describe
but misconstrue
into artless paralysis
walking in reality
but in truth
to bear torrential
truth
do not enter
a tree or song
but life
life, nay, breathe
into something featureless
who knows what reasons
mysterious dissolved them
as examples of this process
merely accept this object
as contour groped in darkness
possibly decades
in the making
itself a memory ago
where I promised
to write language
as crust enveloping
experience
Contemporary Poetry
beer and smoke
The carvings in the wood. Steps up, turn right, unzip, let it rip.
There is some necessity for being unconscious of the process.
Of the origin. Of the consequence and significance.
There is some necessity to intonate without ideal,
to fling actions all of the sudden
as dice without any odds of winning.
Fix hair. Zip, down the steps. Smoke fury of flurry. Beer; what’s the score?
The second, while being a vehicle of careless novelty, is actually
heavy, almost pregnant with the expression of expired millennia.
Seamless actions operate unconscious of the thrust of heavy history.
Running out of beer. Was it 25? Come one Jones, put it in the box!
Poetry is an exercise in distillation. An appropriation of the
universal, namely, to compress the universe into the right word.
It is mutiny against language, a futile revolution against excess.
For fuck’s sake, that’s it. What a poor effort. Let’s grab a bite.
There is nonetheless an element of arbitrariness in all postures.
The only sin is definition, that is to say, narrowing the flux
to one single image, fluid as this representation may be,
that will necessarily congeal the real nature of impermanence.
The clouds are suspended as the self. Return my symbol; I’m under the influence of the absolute.
This is not the language of the everyman. But the poetic is an
elevation of ordinary life, a dissection of the vital rhythms
that run through the flesh of form and the bone of force.








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