The table no time for its existentialism and absurd chair leaning against the table’s futile stance. I’m a pragmatic man so I have no use for knowing myself. The table studies its own nature by looking at its askew shade. Chair, somberly contemplating suicide because it wants to remove its painfully ingrown nails. Paradoxically they keep it alive, in form, in function. I have only one reality and the clarity of purpose. My furniture’s introspection is a trifling problem in my busy condition. The table has begun questioning things. It likes it when I leave Camus on its surface. I hear the creaky whisper, quoting: ‘the
humanwooden heart has a tiresome tendency to label as fate only what crushes it.’ Absurdly, the chair stares at the modernity of my modus operandi. I cannot be stopped to wonder. Progress is my mission. The table is a stranger to itself. The chair competes for my attention. I have appetites that the world cannot satisfy. Table is dissatisfied with its lucidity, through logic the chair has arrived at the conclusion that knowledge is a form of chaos. I’m a man of the world in spite of everything. In spite of poverty, war, injustice or my furniture’s uncertainty and their long episodes of incoherent silence.
Poetry
eleven short cantos

I
Around my neck who knows how history made a voice out of silhouette.
From my lips a hand tore
away in tragedy
the chord
that screamed for more.
II
Time was a pebble I threw into the bucket of space.
III
Today the pond was patient.
Swallowing from the hot dust
the stupidity of the shadows.
IV
The light was hanging from a branch,
bending space like the surface of
a habitual dewdrop.
V
The mirror is red with rage.
VI
The world is still glowing, next
to an enormous fire.
I picked up a shadow that was untouched.
VII
I was just waking from the misery of being born in a place so big, I’d never see it all.
VIII
The streetlight turned red.
Grass burning
through the wings
under the sight of the moon.
IX
No one dead has come back
to tell us
anything.
It’s nearly midnight,
there’s no exception
to that.
X
How decisive is the blindness
of the storm
& the twigs are still shivering
in memory.
Xi
When murmur is no longer a labyrinth,
when I see the teeth biting the dark
and how the depths of earth
have been waiting for me
behind a cluster of
soft sorrows.
Contemporary Poetry
first time
Remember the beginning
when even purity was a hot coal
in our hands.
The waves of genesis
and we built a clock, a molecule at a time.
We followed the river and
craved of its skin like white fur and foam
to be annihilated as beams and ripples in the sea.
Society was a coffin where we learned a dialogue of echoes.
But now this ear of mine hears the throat of time gutter
so timeless motion of reiteration
its old blossoms of fine appearance.
Now the distance is glazed with my breath.
The elements are trapped in the hard wombs of words
but everything else crumbles as shadows being
faceless in the ash.
Memory, remember when memory was a fruit we had only
tasted once?
I’m frightened because the sky is immense
and I am naked in its clouds
like a prostitute in the
wind.
Contemporary Poetry
how to write a poem
The trick is to close the eyes.
To look for the thing
crawling below the carpet of darkness of the lids.
Remain still like a hunter. Do not stir
even if a sliver of light echoes through the emptiness.
You’re looking for a boom.
It starts with a swirl of symbols
curling around each other
in wild experiments of mutation.
You’re looking for a spark, an isolated
hazardous word that will scale
up the fence of perception, to consume
the whole plantation of thoughts.
Venture into this plague of accidents,
advance as a whirlwind upon the dunes of ash.
Soon the darkness begins to burn bright,
you are a sun leaping into a single atom
witnessing a birth to the naked eye.
Contemporary Poetry
thirst

Sed is Spanish for thirst. Cyrano de Bergerac sat one day to write his tragedy, La Mort d’ Agrippine, for reasons no one will ever know or understand. He wrote, perhaps before midnight:
Ces beaux riens qu’on adore et sans savoir pourquoi….
Beautiful nothings that we adore without knowing why. He was referring to the gods. So there is thirst for absolutes, some people sense it and yet die athirst. For centuries mankind has looked for this totality through a window they’ve called the soul, which is rather unfortunate that today it has been reduced to myth. Not because the soul is an actuality, but because we need the image of the cosmic window. Alma is soul in Spanish. But I don’t want to say, tengo sed de alma (I am thirsty of soul). It is peculiar that in Spanish “to be thirsty” is expressed literally “to have thirst”, as if thirst were a possession, an accretion to one’s being. For this reason I prefer to express myself in a double language: I am sed of soul. That is to say that I AM the thirst of soul, I am the empty dark room desirous of an aperture, of the link between my personal darkness and total illumination; I am the emptiness craving a flood of light that will inundate the cavity of my cavernous being.
In the same play, Cyrano wrote:
Une heure après la mort, notre âme évanouie sera ce qu’elle était une heure avant la vie.
One hour after death our vanished soul will be that which it was an hour before life.
That is to say, the window will soon be shattered.
So quick, let’s raise the curtains of alma.
Contemporary Poetry
Thanatos

House, an ambulance of thorns and the chairs. The dust
a coat of ghost upon furniture, reality – the hairs
in my nostrils a trembling unto death. Laughter,
a www or another milieu ripe with decadence
and the ballet of bullets in a new nation – forever?
The moon has grown without tasting an apple and
it explodes, one day, without leaving enlightenment
arrrrrrgh. or ash
in elevator low the masterpiece of low sound
the foreseen doom of leaving veins into
narrow corridors warehouse of worms wonder
the same bullshit because they die
and become little food
for grass/trees and
there goes the waiter with a white shirt
always a man with a face and a pack
of cigarettes and always Schopenhauer
in theater thinking of Thanatos et triviality
aid to disease and milestone quintessential
orb of alleviation, my dear anxiety
where like an angel will I see the light
and fly away morose like
some morsel masticated selflessly
because this house is curtain
and the blood is shiny
like mirror a sound
tired from abyss
in my hand
and tiny
thing
or
soul.
Contemporary Poetry
This is not an experiment.

This is not an experiment.
This is an animal
slowly dressing itself
with a garment of stone.
This is a shadow
shedding its bone
in a camouflage of change.
This is a sister
opening a drawer
to hide a wonderful thing.
This is antiquity
growing thick with mighty
buttresses of steel.
This is a mouth
inhaling sweet
movements of moonlight.
This is a perception
flapping in the silence
of the air.
This is a drunk
stealing a plume
from the waitress’ perfume.
But above all,
this is another hand
clinging to the edge
before the fall.
Contemporary Poetry
the end

Sorry,
I can’t tell you here
what value, how important,
where everlasting.
Haven’t found it, every bit
is rising like a moon
no matter if it’s a thing
or a thought it disappears
somewhere.
I feel human, literally
a heart pumping veins
in rings of muscle. And
also empty space between
all of you and this isolation of brain,
language, dark brown eyes,
I let you walk pass me
passersby. If I touch
you by chance by accident by love by desire
by dinnertime by church by antiquity by destiny
by skin by Friday by crying by leaving
it will be my memory moaning for
togetherness again with the ebb and flow
of zeroes echoing in the silence.
I do not claim
my isolation is unique,
my brain bottled in language
looking out into the world
through dark brown eyes.
But I cannot touch you
when you are a tricklebird
dripping from the skyline.
Sorry,
our days are numbered and
we must face the tough blue earth
as if it were the end–
Contemporary Poetry
mortal questions

Who chases the myth
while drenched
in the blood
of the primordial hunt?
Who has placed a hyphen
between Sky and I
to sense the aura
of a blue atmosphere
as a newer skin?
Who will concentrate
all language
into one singular word
that falls heavy
as a meteorite
into the sands
of nocturnal desert?
Who will endlessly
double the depth
of one earth suspended
in the night?
Who will reduce
consciousness
to a milligram
of image?
Who has made
a door from odor
through which memory
walks out
into open land?
Who will unearth
mankind and root
childhood back
in the curl
of a cloud?
Who will find
this poem hidden
from the glare of knowledge
waiting in the shadows
of their touch?
Contemporary Poetry
sugar of lung
I’ve translated the sugar
of lung and by mist
the meaning of language
is a family of pauses
appearances that crawl
like incense between crevices
of hard barrier,
but then there is truth
which as a fence
we jump to land
on barbarous scenes of fading,
where we hang the moon
in our hollow cavity
and there walk in thick groups
of solitary breaths,
aiming to cut the tragedy
in two great halves
with the rim of suffer.
The table
no time for its
existentialism
and absurd
chair leaning against
the table’s futile stance.
I’m a pragmatic man
so I have no use for knowing
myself.
The table
studies its own nature
by looking at its askew shade.
Chair, somberly
contemplating suicide
because it wants to remove
its painfully ingrown nails.
Paradoxically they keep it alive,
in form, in function.
I have only one reality and the clarity of purpose.
My furniture’s
introspection
is a trifling problem
in my busy condition.
The table has begun questioning things.
It likes it when I leave Camus
on its surface.
I hear the creaky whisper, quoting:
‘the 


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