the philosophy of wood

philosophy_poem

The table
	no time for its
	existentialism
and absurd
chair leaning against
the table’s futile stance.

	I’m a pragmatic man
so I have no use for knowing
myself.

The table
	studies its own nature
by looking at its askew shade.
Chair, somberly
contemplating suicide
because it wants to remove
its painfully ingrown nails.
	Paradoxically they keep it alive,
	in form, in function. 

I have only one reality and the clarity of purpose. 

My furniture’s
introspection
is a trifling problem
in my busy condition. 

The table has begun questioning things. 
	It likes it when I leave Camus
	on its surface. 
I hear the creaky whisper, quoting:
	‘the human wooden heart has a tiresome tendency
	to label as fate only what crushes it.’

Absurdly, the chair stares at the modernity
of my modus operandi. 

I cannot be stopped to wonder. 
	Progress is my mission. 

The table is a stranger to itself.
	The chair competes 
 for my attention. 

I have appetites that the world
cannot satisfy.

Table is dissatisfied with its lucidity,
	through logic the chair has
arrived at the conclusion that
knowledge is a form of chaos.

I’m a man of the world in spite of everything. 

	In spite of poverty, war, injustice or
my furniture’s uncertainty and their long
episodes of incoherent silence.

Contemporary Poetry

art and nothingness

What no one will remember

in 10,000  years or so

(Part iV)

To work and create ‘for nothing’, to sculpture in clay, to know that one’s creation has no future, to see one’s work destroyed in a day while being aware that, fundamentally, this has no more importance than building for centuries – this is the difficult wisdom that absurd thought sanctions.  The Myth of Sisyphus (Albert Camus)

Photographs taken in Statens Museum for Kunst. Copenhagen, Denmark.

statens_museum_for_kunst

Nihilistic Poetry Blog