postmodern poetry

carnivorous cosmology

carnivorous_cosmology

Don’t be shy
I’ve suckled that nipple
called sky

the universal figure of smoke,
whose body I call yours
and time’s standstill has been glimpsed
in the trunks of blood
that our tongues have enacted

what then is not an instant
but creation that will swell either
like an echo or a myth

don’t pretend like you
don’t understand
this carnivorous cosmology

don’t pretend like your
intelligence was flared and pure
and bubbling like open
lawns of lava

return to me tumultuous
and with gales amongst those
fluttering eyes
and and – and turn
your cold torso
towards the permanence of
the flare

don’t be shy
I’ve conquered without
logic the theory
of your lips

this is the only day left
for us —

to spill
like assassins
the bleeding cup
of night.

Contemporary Poetry

the decline and fall of Being

being_and_nothingness

 

The self is a function of life.
Every aspect
of life as experienced
by so-called man
is within the realm
of nature, the universe,
totality. Nothing is

outside it,
nothing

belongs to something
other than itself.

Life is a manifestation (
for lack of a better
word
) of what nature
is doing.

My ego
is not independent
to the field
of nature, it does not

confront or exchange

with any          external.

All my memories, actions,
thoughts, insights,
responsibilities, etcetera,

do not belong to

me.

They are all part
of that function
that life
is portraying
through a living organism.
The experience
of being-hood is a sort of modulation of life itself.

There is no center or
self that engages with life.

Rather life is engaged with nature.
In other words,
I’ve never experienced
anything.

One could say,
I am the illusion
of being a drop of water
inside a totality
that is itself all water.

The IT has been doing ITSELF.

Nothing belongs to me per se.

Even this instant,
these words, these attempts
to define what’s happening
are not me nor belonging to me,
but aspects of what life
or, sub specie aeternitatis,
what nature does.

Life is, a Spinozan could say,
a mode in nature. I’m inclined to say
there is no one
perceiving this, life itself
is busying itself with life-stuff,
nature-stuff, thought-stuff,
society-stuff, and so on.

There is no me
in all of this.
There is only a recurring
sensation that life – the
experiences that compose our definition of life –
belong to me.

But that sensation
is itself an impression like any other.

Can death be overcome?

Only a thought
that suggests that “I will die” exists,
but not the actual death of the self

– because there is no self.

Contemporary Poetry

to be absurd

daylight_squirm

To be absurd from feeling to toe,
I’d punch the snow to disfigure
the torso of beauty
to join the mad soliloquists
the drunks and hopeless angels
with whales swimming in
their eyes of quivers.
Rapidly the curves of snowfall
impact the distant slums and they are
carrying pain too beautiful that we
stare and suffer. I cannot add a because,
a therefore, a necessity.
The event has sweetness
that only forgetfulness with relish.
I am too vague a vacuity too vain a villain,
being an absurd contemplator
the suspense of my erosion
is my only occupation.

and yeah, the feat of beauty
on daylight’s squirm.

 

Contemporary Poetry

origin.

origins

origin.
When nothing had yet
lured electron.

Before beginnings,
when totality
was numb and coiled
like a tongue.

The buds
savoring
a patch of permanence.

Illumine the solace
when the folds of eternity
were not yet

outstretched.

Omnipresence
was a droplet deep
of dense darkness.

Then a slither of light scarred the night.

A new hunger
clung to the breast
of heaven
till
it began to bleed
a timeless light.

Becoming.
Outpouring curls of colors.

The clouds
the mud
and the appearance
swathed in shadows
& painful pulse.

Contemporary Poetry

ultracold

car_speed_india

 

Relieved bowels
before pain is áh vowel,
consumed
me ended. Death
is a petty leaf, to sleep beneath
a pretty earth. What word will last
and last
oracle come past
my lips
when I’m almost stiff
and conclusive gasp. ‘A
Spanish mutter or aspect
while curling and reaching
for aspirin,
could be a joke and I laugh
blue with smoke blurring
the vision
of what existence
once
was but no more mission
but rest
but forgetfulness
but lo and behold
I shall say, it is time! me
becoming ultra-cold.

Contemporary Poetry

prelude to a philosophy of meaninglessness

philosophy_of_silence

I want to write
clear and distinct ideas
expressing how life
is a short sojourn
in an unclear and
indistinct domain

that my philosophy
become the instant
when words ricochet off
the build of reality

to expose the futility
of the understanding
and dilate the aperture
through which silence
sinks

I want to make sure
that the veracity
of my principles
is unverifiable

that the meaning
of my verse
emerges as
a blur of music

I want to leave
the cloud of phenomena
to become a single
dab of mist
throbbing in the
chaotic extent.

 

 

Contemporary Poetry

echolike

echolike_dada_automatism

Look at the fountain, how it stretches its arm-like foam and spurting bouquets of gurgles; it leaves no echo in the sunlit conception. I know what it was. A word. Burgeoning and birds, no, butterflies came to squeeze its melancholy. Ah how it flows, echolike and here I am rewriting the misery of boredom, nay, a resistance to ineffability. I wonder how many have seen a human skull (like the one I saw today) and thought to themselves: I will fight till the end. It would be prudent to say: idiots! Some days when bliss is spilt and the cock is dry, you really become a skeptic, doubting the lyrics of the mother. Whose mother? The one with the ring and the beautiful array of beats that threw us off and made us tame soldiers. What can we expect when we’re abandoned and hungry seeking the lost pictures of meaning. I can’t imagine how to end this, this sick exercise of automatic writing. I could throw in some words I admire: echo, emptiness, essence, elixir, elapsed, echo. Oh I keep repeating that one.

Contemporary Poetry

mammal joy

mammal_joy

how can I evaporate
the pearl of clitoris
these hands that are fat
clusters of touch
and render shine
like a drop of moon
my crash that rubs against torment
strung and the column’s
fresh pound
strikes upon the amalgam
of velvet
I have forgotten where
this clump of noises
originates
the moan scrapes morning
and the last mammal joy
escapes from
this splatter of skin.

 

 

Contemporary Poetry

BEWARE: Technologists of the obscure

technologist_of_the_obscure

 

 

By understanding the fundamentals of ambiguity the technologist of the obscure harnesses the power to create suitable artifacts (not to be confused with anti-facts) that encrypt the purity of communication into a meshwork of impenetrable significations. This technology, having being exploited by philosophers for ages, has surreptitiously leaked out and fallen into the hands of the architects, engineers and builders of unearthly images and unintelligible utterances, a group of formidable sophists that work relentlessly in the advancement of their art. Commonly grouped together under the heading of ‘Poets’, these deserters of lucidity utilize a wide array of techniques to camouflage their superficiality and produce, to all appearances, objects of intelligence. Their methods include the avoidance of the vernacular, the exploitation of the thesaurus, and the occasional usage of logatomes. This alchemy of language can reach such degree of high abstraction that the reader can momentarily forget the existence of the earth. Such manipulation of perception, while not yet proven to be lethal, can lead to a long-lasting veneration for the incomprehensible. While there might be some value in fiddling with obscurity, it is highly unlikely that straightforward communication will ever be supplanted by the monstrous impenetrability of the ambiguous.

Contemporary Poetry

nuance of sense

edge_of_creation

It was in 2013
when I started
dancing –
in the moral sense
of the word.

It was this
year when in
my hole, still
timeworn with despair
that I laughed –
in the philosophical
sense of the word.

It was under
a pale circle
in the sky
that I shouted:
‘more, more!’ –
in the maternal
sense of the word.

It was in
momentary empty
flight when I shot
over the aching nothing
to touch the inchoate
rim of creation –
in the real
sense of the word.

 

 

Contemporary Poetry