escapades

Bricks_Berlin_Germany

I sneak out
in the middle of the day
as a fugitive of conformity
I look around
searching for those
that wander solitarily
those poor souls
all alone
against the oppressive machine
of existence
then I separate myself
follow streets no one
follows
I look for long walls
like those of cemeteries
or abandoned factories
I tread their outer boundaries
bricks to infinity
protecting a mystery
that I must never invade
I return to words
the insufficient medium
life has me by my neck,
I am drunk with life
perceptibly drowning
in its fuel.

 

 

 

 

 

 

21st century poetry

 

Fatalism

If we must submit to the irrationality of following all logic to its end, conclusions may turn shockingly paradoxical. I once heard that we have chosen our life from the very start and that our experience on this planet is simply the revelation of our original choice. If this were true then the absurdity of our suffering would be justified since we have chosen beforehand to experience it. The question that remains would be: why have we forgotten our original choice? Why does life present itself as an unknown unfolding instead of being the realization of one’s desire? By some obscure mechanism our original choice has been obliterated, life remains a permanent surprise. At first this seems like another form of fatalism except for the fact that we have chosen that predetermination. On the other hand, most people believe that the universe is a spontaneous happening and we must choose our way through the hazards of spontaneity. Our life is the result of all our choices, but how do we ever get to choose anything? I sat down the other day to think this one over and I discovered that my choices are really just reactions to whatever is presented to my mind. From the pettiest choices to the most important decisions I simply obey a feeling, logic or a whim. In all of these cases I am subject to what simply happens inside me. Should I buy a black or blue pen? I wait for a moment, experience a certain sensation of pleasure in black and I buy the black pen. Should I live in Costa Rica or in India, I wait for a moment, a logical-emotional labyrinth emerges in my mind and by the end of this involuntary frenzy, I make my decision. Naively speaking, thoughts are like emotions, they arise involuntarily and by a law of their own. Most people are identified with their thoughts, but if you ask them how they fabricate a thought they must inevitably answer: it simply happens. So, if my decisions are nothing but reactions to what is presented to my mind, what is allowing these perceptions? If we submit to modern scientific thinking, to explain a perception in the human mind we must pursue a long path through Psychology, Sociology, Biology, Evolution, Neurology, Chemistry, Physics, and we will end up with an ultimate theory for the universe as seen by man. In very simple terms, what we experience is the result of the whole arrangement of the cosmos, and if we knew every bit of information about this arrangement, we could predict ourselves. Again, we fall into an unremitting fatalism.

 

 

But what’s the use of all this reasoning and the contemporary compulsive adoration to logic and reason?

 

 I choose not to know.

 

“Puppet on a string” by Steve Whitney

Machines

 

 

And to know and see and reassert that we ARE machines, we are machines made out of flesh, proteins, water, enzymes and coded molecules; that we understand the word “machine” but cannot grasp the consequences of this mysterious arrangement:

             Living, breathing, suffering machines…

Sky of Poetry

(July 11th – 2007)

 

And I’m still alive. Standing on a dim-lit bridge watching with disbelief the fantastic horizon as the fiery star’s return is heralded by the tones of pink, purplish-red, tawny and azure pigments in their respective order from horizon to zenith. It is 3.09am, and the moon is manifested by a thin ark of potent white, the rest of it obscure but visible: its entire orb can be witnessed from this bridge that overlooks on a magical lake hazily imitating the transcendental beauty of the sky. Below me two ducklings swim in the still water, small insects flutter around me, the glorious architecture of Copenhagen stands immobile while, progressively, this pen inks a few words as a substitute for a photograph, a camera that I do not hold now to share the explicit mystery
                        Of this solitary view.

A child’s wonder

The poet must rise and, in all opposition to the mediocrity of those living with eyes closed, must claim with a child’s wonder: I AM.

And to be is never dull and unworthy of our attention.

Every passing second grants us the deepest mysteries that can never be too highly esteemed.

From the rustling of blades of grass in the wind to the farthest kindling galaxies; from the ordinary to the extraordinary; existence in its entirety marvels the beholder.

A poet’s awareness is nothing more than a child’s wonder.

A requirement: the capacity to remain silent and observe passionately at what IS.

In that womb of silence we are all bound to become children, poets and philosophers;

Quietly revering the performance of an universe that will forever astonish us-

The humble spectators of the Great Unknown.